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The 2018 winner of the Yale Drama Series competition is a riveting exploration of family and death Set in Kentucky, this compelling drama centers around a Japanese-American family reunited as their matriarch undergoes cancer treatment. The father, James, is a recovering alcoholic seeking redemption, and the two daughters are struggling to overcome their differences—Sophie is an ardent born-again Christian, while Hiro lives a single’s life in New York City. John, an old high school classmate of Hiro’s who is now a single dad, worries about leaving a legacy for his son. Wry and bittersweet, God Said This vividly captures the complexities of a familial reconciliation in the throes of crisis and looks deeply at the meaning of family—Japanese, Southern, and otherwise. This is the first Yale Drama Series winner chosen by Pulitzer prize–winning playwright Ayad Akhtar, who describes the play as conveying “a deeply felt sense of the universal—of the perfection of our parents’ flawed love for each other and for us; for the ways in which the approach of death can order the meaning of a human life.”
Hiro is a self-made woman making it in New York. But she is also single, almost thirty, and estranged from her dysfunctional family who lives in Kentucky. When her little sister, a born-again Christian, decides to marry at twenty-two, Hiro takes it upon herself to do whatever she can to stop the wedding and salvage any shred of hope she had about her sister’s future. The themes of identity, religion, and love collide in this unique coming-of-age story.
Adept at capturing the experience of the upper-middle-class African-American, Diamond lays out two families' worth of secrets in this precise play. With only six characters, she constructs a vivid weekend of crossed pasts and uncertain but optimistic futures. On Martha's Vineyard, an affluent African-American family gathers in their vacation home, joined by the housekeeper's daughter, who is filling in for her mother. The family patriarch is a philandering physician; one of his sons has followed in his footsteps, while the other, after numerous false starts in a variety of careers, is a struggling novelist. Both bring along their current girlfriends, to meet the family for the first time. With such highly--perhaps over--educated vacationers, the conversation and the barbs fly, on subjects ranging from race to economics to politics. But there is also more than enough human drama, which reaches its climax when an old family secret comes out. Through lively exchanges and simmering wit, the family tackles a history filled with complications both within the family and in the outer world.
"A piece that takes us on an extraordinary journey... The energy and the vividness of the writing never lets up "- Independent An unexpected meeting at an airport leads to an intense, passionate, head-over-heels relationship. Before long they begin to settle down, buy a house, juggle careers, have kids – theirs is an ordinary family. But then their world starts to unravel and things take a disturbing turn. A tragic, violent look at parenthood and trauma, Denis Kelly's stirring monologue play premiered at The Royal Court Theatre in 2018 starring Carey Mulligan. Published for the first time in Methuen Drama's Modern Classics series, this edition features a new introduction by David Pattie.
THE STORY: A superhero noir comedy about the dangers of love. The city's heart beats with fear: Doctor X is sneaking into apartments and injecting lovers with a lethal poison. Lisa's heart beats with hope: Now that she's joined the elite Crimefighters, ma
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"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
THE STORIES: CAMBERWELL HOUSE by Amelia Roper. Elderly neighbors Annie and Olive have been friends since they were children. At twenty, they agreed to "knock each other off" if they were still alive at seventy-five. Now they are seventy-five and one of them has changed her mind. A tale of old age, murder, and ginger nut biscuits. (1 woman.) THE CLOSET by Aoise Stratford. Kevin's dad has thrown his favorite toy, Bart Sponge, into the back of a closet. There, Bart meets a toy dinosaur and another toy he can't even begin to identify. Does a supposedly gay toy have a chance of making it out of the closet? (2 men, 1 woman or man.) CLOSING COSTS by Arlene Hutton. After viewing four hundred apartme...
The Humana Festival of New American Plays has been a leading home for extraordinary playwrights and their imaginations for more than four decades, making Actors Theatre of Louisville one of the nation’s preeminent powerhouses for new play development. For six weeks every spring, Louisville exerts a gravitational pull on producers and theatre lovers from around the country, who travel from far and wide for the adventure of seeing a diverse slate of fully-produced new plays. Many Humana Festival plays have gone on to garner awards and subsequent productions, making a sustained impact on the international dramatic repertoire. Humana Festival 2018: The Complete Plays brings together all six sc...
1986. Ghana's prestigious Aburi Girls Boarding School. Queen Bee Paulina and her crew excitedly await the arrival of the Miss Ghana pageant recruiter. It's clear that Paulina is in top position to take the title until her place is threatened by Ericka – a beautiful and talented new transfer student. As the friendship group's status quo is upended, who will be chosen for Miss Ghana and at what cost? Bursting with hilarity and joy, this award-winning comedy explores the universal similarities (and glaring differences) facing teenage girls around the world. This edition is published to coincide with the UK premiere at the Lyric Theatre, Hampstead, in June 2023.