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Muriel Spark
Bundel artikelen over het werk van de Engelse schrijfster(1918- )
The Prime of Miss Jean Brodie
The Prime of Miss Jean Brodie is Muriel Spark's most significant and celebrated novel, and remains as dazzling as when it was first published in 1961. Miss Jean Brodie is a teacher unlike any other, proud and cultured, enigmatic and freethinking; a romantic, with progressive, sometimes shocking ideas and aspirations for the girls in her charge. At the Marcia Blaine Academy she takes a select group of girls under her wing. Spellbound by Miss Brodie's unconventional teaching, these devoted pupils form the Brodie set. But as the girls enter their teenage years and they become increasingly drawn in by Miss Brodie's personal life, her ambitions for them take a startling and dark turn with devastating consequences.
The Driver's Seat
The Driver’s Seat, Spark’s own favorite among her many novels, was hailed by the New Yorker as “her spiny and treacherous masterpiece.” Driven mad by an office job, Lise flies south on holiday — in search of passionate adventure and sex. In this metaphysical shocker, infinity and eternity attend Lise’s last terrible day in the unnamed southern city that is her final destination.
Muriel Spark
Muriel Spark is widely considered to be one of the most gifted and innovative British novelists of her generation. Professor Cheyette's study is the first to explore her twenty novels as a whole and includes discussion of her short stories, poems and literary criticism.
Loitering with Intent
Where does art start or reality end? Happily loitering about London, c. 1949, with the intent of gathering material for her writing, Fleur Talbot finds a job “on the grubby edge of the literary world” at the very peculiar Autobiographical Association. Mad egomaniacs writing their memoirs in advance — or poor fools ensnared by a blackmailer? When the association’s pompous director steals Fleur’s manuscript, fiction begins to appropriate life.
Muriel Spark: Time in her Fiction
Muriel Spark seems to have seen the world as a stage where all the men and women are merely players having their "moments" on the stage of life. "One's prime is the moment one was born for" she has been known to say, and it is those moments, mere spots in time, that she describes in her fiction. Old people become babes again. School-boys (or girls) grow into their prime. That is the cycle of life that can be traced throughout her work, a pattern of birth, growth, and decay that is akin to the seasons. Through the analysis of these five finely chosen novels – Memento Mori, The Prime of Miss Jean Brodie, Girls of Slender Means, The Mandelbaum Gate and The Driver’s Seat – Linette Arthurton Bruno attempts to show how Muriel Spark adapts her time-structure to her theme. A great piece of work that underlines the skills of a woman considered as one of the fifty greatest British writers since 1945.
The Girls of Slender Means (New Directions Classic)
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
Muriel Spark
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Aiding and Abetting
Aiding and Abetting is Muriel Spark's mordant and witty satirical take on the true crime genre, a novel of fraudsters, imposters, murderers and aiders and abetters. In Paris, a psychiatrist finds herself treating two elderly gentlemen who both claim to be the notorious British fugitive Lord Lucan. But who, if either, is the real Lord Lucan? Can she discover the truth before her own dark secret is revealed?
A Far Cry from Kensington
With a cover design by Lucienne Day When Mrs Hawkins tells Hector Bartlett he is a 'pisseur de copie', that he 'urinates frightful prose', little does she realise the repercussions. Holding that 'no life can be carried on satisfactorily unless people are honest' Mrs Hawkins refuses to retract her judgement, and as a consequence, loses not one, but two much-sought-after jobs in publishing. Now, years older, successful, and happily a far cry from Kensington, she looks back over the dark days that followed, in which she was embroiled in a mystery involving anonymous letters, quack remedies, blackmail and suicide.
