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The Social History of Roman Art
An introduction to the study of ancient Roman art in its social context.
Statues in Roman Society
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods,or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance.By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be anddescribing the Romans' uneasy relationship with 'the other population' in their midst.
Art's Agency and Art History
Art's Agency and Art History re-articulates the relationship of the anthropology of art to key methodological and theoretical approaches in art history, sociology, and linguistics. Explores important concepts and perspectives in the anthropology of art Includes nine groundbreaking case studies by an internationally renowned group of art historians and art theorists Covers a wide range of periods, including Bronze-Age China, Classical Greece, Rome, and Mayan, as well as the modern Western world Features an introductory essay by leading experts, which helps clarify issues in the field Includes numerous illustrations
Edinburgh Companion to Ancient Greece and Rome
The Edinburgh Companion, newly available in paperback, is a gateway to the fascinating worlds of ancient Greece and Rome. Wide-ranging in its approach, it demonstrates the multifaceted nature of classical civilisation and enables readers to gain guidance in drawing together the perspectives and methods of different disciplines, from philosophy to history, from poetry to archaeology, from art history to numismatics, and many more.
The Global Connections of Gandhāran Art
Gandhāran art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhāra, centred on what is now the northern tip of Pakistan, has been called the ‘crossroads of Asia’. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandhāran art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandhāran sculpture to Greek and Roman art made thousands of miles...
Presence
In about 25 BC tribesmen of the kingdom of Meroe placed a bronze head of Augustus, cut from a full-length statue, beneath the steps of a temple of victory: the decapitated head of the Emperor was thus regularly trampled underfoot. Two millennia later, during the second Gulf War, Iraqis 'insulted' a toppled bronze statue of Saddam Hussein by beating it with their shoes. Do these chronologically distant but apparently related examples of the defamation of images imply that the persons represented were regarded by their detractors as in some way 'present' in the images? Presence: The Inherence of the Prototype within Images and Other Objects reconsiders the notion of 'presence' in objects. The ...
Gandhāran Art in Its Buddhist Context
This book considers Gandhāran art in relation to its religious contexts and meanings within ancient Buddhism. Addressing the responses of patrons and worshippers at the monasteries and shrines of Gandhāra, papers seek to understand more about why Gandhāran art was made and what its iconographical repertoire meant to ancient viewers.
The Sculptural Environment of the Roman Near East
Public sculptures were the "mass media" of the Roman world. They populated urban centers throughout the empire, serving as a "plastic language" that communicated political, religious, and social messages. This book brings together twenty-eight experts who otherwise rarely convene: text-based scholars of the Greco-Roman, Jewish, and Christian realms from the fields of classics, history, and religion and specialists in the artistic traditions of Greece and Rome as well as art historians and archaeologists. Utilizing the full spectrum of ancient sources, the book examines the multiple, at times even contradictory, meanings and functions that statues served within the complex world of the Roman Near East. Moreover, it situates the discussion of sculpture in the broader context of antiquity in order to reevaluate long-held scholarly consensuses on such ideas as the essence of Hellenism (the culture that emerged from the encounter of Greco-Romans with the Near East) and the everlasting "conflict" among paganism, Christianity, and Judaism.
A Companion to Marcus Aurelius
A COMPANION TO MARCUS AURELIUS Considered the last of the “Five Good Emperors,” Marcus Aurelius ruled the Roman Empire from ad 161 until his death in 180 – yet his influence on philosophy continues to resonate in the modern age through his Meditations. A Companion to Marcus Aurelius presents the first comprehensive collection of essays to explore all essential facets relating to contemporary Marcus Aurelius studies. Featuring contributions from top international scholars in relevant fields, initial readings provide an overview of source material by addressing such topics as manuscript transmission, historical written sources, archaeological evidence, artifacts, and coins. Readings cont...
The Classical Tradition
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
