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The Late Modernist Novel
The Late Modernist Novel explores how the novel reinvented itself for a Modernist age, a world riven by war and capitalist expansion. Seo Hee Im argues that the Anglophone novel first had to disassociate itself from the modern nation-state and, by extension, national history, which had anchored the genre from its very inception. Existing studies of modernism show how the novel responded to the crisis in the national idea. Polyglot high modernists experimented with cosmopolitanism and multilingualism on the level of style, while the late modernists retreated to a literary nativism. This book explores a younger generation of writers that incorporated empirical structures as theme and form to expand the genre beyond the nation-state.
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The Physiology of the Novel
How did the Victorians read novels? Nicholas Dames answers that deceptively simple question by revealing a now-forgotten range of nineteenth-century theories of the novel, a range based in a study of human physiology during the act of reading, He demonstrates the ways in which the Victorians thought they read, and uncovers surprising responses to the question of what might have transpired in the minds and bodies of readers of Victorian fiction. His detailed studies of novel critics who were also interested in neurological science, combined with readings of novels by Thackeray, Eliot, Meredith, and Gissing, propose a vision of the Victorian novel-reader as far from the quietly immersed being ...
Theory of Literature
Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose? Fry engages with the major themes and strands in twentieth-century literary theory, among them the hermeneutic circle, New Criticism, structuralism, linguistics and literature, Freud and fiction, Jacques Lacan's theories, the postmodern psyche, the political unconscious, New Historicism, the classical feminist tradition, African American criticism, queer theory, and gender performativity. By incorporating philosophical and social perspectives to connect these many trends, the author offers readers a coherent overall context for a deeper and richer reading of literature.
