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Ancestors and Descendants of Frederick Shore
Friedrich Schor (1705-1773), son of Friedrich Schorr and Usula Tschudin, married Margaretha Schneider in 1729, and in 1750 the family immigrated from Switzerland to Philadelphia (Margaretha died at sea). Frederick Shore (as his name was anglicized) and his children settled on land in Augusta County, Virginia, moving later to Surry County, North Carolina. Descendants and relatives lived in Virginia, North Carolina, Missouri, Arkansas, Mississippi, Texas and elsewhere.
Descendants of Frederick Shore and His Wife Barbary
The Shore (Schorr) family originally of Switzerland. Family of Frederick Shore (bap. 1731-d. ca. 1818), son of Friedrich Schorr and Margreth Schneider, who was baptized in Muttenz, Switzerland, and died in Surry Co., North Carolina. He was married to Barbara Ries (d. ca. 1820), daughter of John Jacob Ries. Descendants live in North Carolina and elsewhere. Includes descendants of Simon Gross, an early settler of Rowan (then Surry, now Yadkin) County, N.C., who came to Philadelphia with his brother, Theobald, in 1741. He married Dorothea in Philadephia ca. 1741. She died 1744. He married (2) Veronica Mayer ca. 1745. Includes the Clanton family originally of Virginia. Family of Edward Clanton, son of Edward and Sarah Clanton, whose descendants came to Surry County, N.C. in the latter part of the 1700's.
Genealogies in the Library of Congress
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
Adulterous Alliances
The result is an unexpected prehistory of the nineteenth- and twentieth-century cult of domesticity."--BOOK JACKET.
The Treesearcher
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Guide to the Turf
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Fatal Desire
Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century—a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the soc...
