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Shomei Tomatsu
A retrospective on the career of Japanese photographer Shomei Tomatsu, whose work has chronicled the changing face of Japan from the 1950s until the present. Included are essays on all aspects of the life & career of the artist, as well as excerpts from Tomatsu's own writings.
Starburst
Edited and text by Kevin Moore. Essays by James Crump, Leo Rubinfien.
Chewing Gum and Chocolate
Shomei Tomatsu, one of Japans foremost twentieth-century photographers, created one of the defining portraits of postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu continued to focus on the tensions between traditional Japanese culture and the growing westernization of the nation in his seminal book Nihon. Beginning in the late 1950s, Tomatsu committed to photographing as many of the American military bases in Japan as possible. Tomatsus photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in...
Photography in Print
Essays by photographers, critics, and philosophers.
Diane Arbus
"Diane Arbus: A Chronology is the closest thing possible to a contemporaneous diary by one of the most daring, influential, and controversial artists of the twentieth century. Drawn primarily from Arbus's correspondence with friends, family, and colleagues; personal notebooks; and other unpublished writings, this beautifully produced volume exposes the astonishing vision of an artist with the courage to see things as they are and the grace to permit them simply to be. The Chronology also includes exhaustively researched footnotes, and biographies of fifty-five personalities, family members, friends, and colleagues, including Marvin Israel, Lisette Model, Weegee and August Sander." -- Publisher's description.
Shomei Tomatsu
"Shomei Tomatsu is the pivotal figure of recent Japanese photography." -John Szarkowski Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to recover from World War II and US military presence was ubiquitous; his photographs of 1960s Japan; and throughout his career, his images of Okinawa, where he died in 2012. Tomatsu's most famous single photograph is probably Melted Bottle, Na...
In the Vale of Cashmere
In the Vale of Cashmeremarks the culmination of acclaimed photographer Thomas Roma'sfour-year odyssey into a densely wooded, secluded corner of Brooklyn's Prospect Park, where gay cruising dominates the footpaths and trails. The Vale ofCashmere, a name that dates back to the 1890s, has long been a meeting place for gay men. and currently, mostly Black men. However, encounters occur between men of all walks of life, as well as gender and sexual identities. With his large, tripod-mounted, hand-made camera, Roma stepped into the center of this community, an obvious but mostly ignored presence. Understandably, many of the menRoma approached to photograph in a formal portrait were not interested,...
Public Relations
[What Winogrand] has given us in these photographs is a unilateral report of how we behaved under pressure during a time of costumes and causes, and of how extravagantly, outrageously and continuously we displayed what we wanted. --Tod Papageorge Public Relations is a distillation of a photographic project begun by Garry Winogrand in 1969 when he was awarded a Guggenheim Fellowship to photograph what he called "the effect of media on events." With his characteristic zeal, passion, spontaneity and intensity, Winogrand photographed an array of public events including museum openings, press conferences, sports games, demonstrations, award ceremonies, a birthday party and a moon shot. The photographs depict our emerging dependence on the media as well as how the media changes and sometimes even creates the event itself. First published to accompany a 1977 exhibition at The Museum of Modern Art, New York.
The Restoration Will
None
Zoe Leonard
Photographer Zoe Leonard practices a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has crisscrossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections between them. Leonard's photographs of anatomical wax figures, fashion shows, trees and fences present figures in sparse black-and-white images that open up visual fields of thought and reveal within them our visible world--the concrete and established structures that make up our reality. Leonard first created an international stir at the Documenta 9 exhibition in Kassel, Germany, in 1992, when she placed black-and-white photographs of female genitalia in the context of a male-dominated museum. Since then, the political aspects of her work have formed a backdrop for her constant struggle with shape, imagery and the union of symbols and content. This is the first book to showcase Leonard's complete oeuvre.
