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This history of witchcraft traces its origins from ancient Greece to the present day and its development into the modern religion of Wicca. The author explores the ideas we have about witchcraft and how today it has been transformed into one of the most radical and fastest growing religions.
From Most Haunted to Buffy the Vampire Slayer, from Underworld to Twilight, from Doom to Resident Evil, The Brief Guide to the Supernatural goes in search of the unearthly with unexpected results; combining history, science, psychology and myth he explores the allure of the paranormal - why so many people still believe in ghosts and angels - as well as the many ways people have tried to contact and record the impossible.
'Leo Ruickbie's impeccably-written The Impossible Zoo is a menagerie like no other, as its exotic inhabitants are fabulous in every sense of the word. So for anyone who has ever wished that dragons and unicorns were real, for anyone who believes that they are, and for anyone who peruses bestiaries with unbridled joy, this magical, mystical, and truly memorable book is definitely for you - and for me!' Dr Karl Shuker, author of A Manifestation of Monsters HERE BE DRAGONS! Here you will find the things that once made the woods wild and the nights to be feared; that made ancient map-makers write, 'Here be Dragons'. The Impossible Zoo is a biology of the supernatural - a study of the life of thi...
After a miraculous escape from the German military juggernaut in the small Belgian town of Mons in 1914, the first major battle that the British Expeditionary Force would face in the First World War, the British really believed that they were on the side of the angels. Indeed, after 1916, the number of spiritualist societies in the United Kingdom almost doubled, from 158 to 309. As Arthur Conan Doyle explained, 'The deaths occurring in almost every family in the land brought a sudden and concentrated interest in the life after death. People not only asked the question, "If a man die, shall he live again?" but they eagerly sought to know if communication was possible with the dear ones they h...
Interest in preternatural and supernatural themes has revitalized the Gothic tale, renewed explorations of psychic powers and given rise to a host of social and religious movements based upon claims of the fantastical. And yet, in spite of this widespread enthusiasm, the academic world has been slow to study this development. This volume rectifies this gap in current scholarship by serving as an interdisciplinary overview of the relationship of the paranormal to the artefacts of mass media (e.g. novels, comic books, and films) as well as the cultural practices they inspire. After an introduction analyzing the paranormal’s relationship to religion and entertainment, the book presents essays...
Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible visible are all part of this wider discourse. Visions of Enchantment looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th century experimental film.00The essays offered in 'Visions of Enchantment: Occultism, Magic and Visual Culture' have been selected from papers presented at a major international conference at the University of Cambridge in 2014. It includes work by some of the leading scholars in Western Esotericism including Antoine Faivre, M.E. Warlick and Deanna Petherbridge. It attests to the vibrant role that magic and the occult play in cutting-edge research across a wide variety of the arts and humanities today.
The late Victorian period witnessed the remarkable revival of magical practice and belief. Butler examines the individuals, institutions and literature associated with this revival and demonstrates how Victorian occultism provided an alternative to the tightening camps of science and religion in a social environment that nurtured magical beliefs.
An introduction to the psychology, philosophy, and neuroscience of consciousness, including sleep, dreaming, meditative, and altered states.
The Cultural Construction of Monstrous Children raises important questions at the heart of society and culture, and through an interdisciplinary, trans-cultural analysis presents important findings on socio-cultural representations and embodiments of the child and childhood. At the start of the 21st, new anxieties constellate around the child and childhood, while older concerns have re-emerged, mutated, and grown stronger. But as historical analysis shows, they have been ever-present concerns. This innovative and interdisciplinary collection of essays considers examples of monstrous children since the 16th century to the present, spanning real-life and popular culture, to exhibit the manifestation of the Western cultural anxiety around the problematic, anomalous child as naughty, dangerous, or just plain evil. The book takes an inter- and multidisciplinary approach, drawing upon fields as diverse as sociology, psychology, film, and literature, to study the role of the child and childhood within contemporary Western culture and to see the historic ways in which each discipline intersects and influences the other.
Since the publication of John Polidori’s The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed...