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Leon Battista Alberti: On Painting
In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text.
On the Art of Building in Ten Books
De Re Aedificatoria, by Leon Battista Alberti (1404-1472), was the first modern treatise on the theory and practice of architecture. Its importance for the subsequent history of architecture is incalculable, yet this is the first English translation based on the original, exceptionally eloquent Latin text on which Alberti's reputation as a theorist is founded.
Leon Battista Alberti
The Visual Poetics of Raymond Carver draws on the study of visual arts to illuminate the short stories of noted author Raymond Carver, in the broader context of vision and visualization in a literary text. Ayala Amir examines Carver's use of the eye-of-the-camera technique. Amir uncovers the tensions that structure his visual aesthetics and examines assumptions that govern scholarly discussions of his work, relating these matters to the complex nature of photography and to the current "visual turn"of cultural studies. The research uses visual approaches to reflect upon traditional issues of narrative study-duration, dialogue, narration, description, frame, character, and meaning. Amir shows how Carver's visual aesthetics shapes the meaning of his stories, while also challenging accepted notions of the boundaries of "the literary."
Leon Battista Alberti
A new account of the sui generis Renaissance writer and architect Leon Battista Alberti. One of the most brilliant and original authors and architects of the entire Renaissance, Leon Battista Alberti had an output encompassing engineering, surveying, cryptography, poetry, humor, political commentary, and more. He employed irony, satire, and playful allusion in his written works, and developed a sophisticated approach to architecture that combined the ancient and modern. Born into the Florentine elite, Alberti was nonetheless disadvantaged due to exile and illegitimacy. As a result, he became an acute analyst of the social institutions of his time, as well as a profoundly existential writer who was intensely preoccupied with the human condition. This new account explores Alberti’s life and works, examining how his personal and intellectual preoccupations continually pushed him to engage with an ever-broader spectrum of Renaissance culture.
Leon Battista Alberti
"A fresh, accessible, and rounded synthesis of the life and literary work of an important Renaissance figure"--
On Leon Baptista Alberti
Listen to Alberti's voice. This is what Mark Jarzombek has done in studying virtually all of Alberti's writings on philosophy, ethics, aesthetics architecture, and literature.
Leon Battista Alberti and Nicholas Cusanus
Providing a fresh evaluation of Alberti’s text On Painting (1435), along with comparisons to various works of Nicholas Cusanus - particularly his Vision of God (1450) - this study reveals a shared epistemology of vision. And, the author argues, it is one that reflects a more deeply Christian Neoplatonic ideal than is typically accorded Alberti. Whether regarding his purpose in teaching the use of a geometric single point perspective system, or more broadly in rendering forms naturalistically, the emphasis leans toward the ideal of Renaissance art as highly rational. There remains the impression that the principle aim of the painter is to create objective, even illusionistic images. A close...
Leon Battista Alberti: On Painting
Leon Battista Alberti was one of the most important humanist scholars of the Italian Renaissance. Active in mid-fifteenth-century Florence, he was an architect, theorist, and author of texts on perspective and painting. Leon Battista Alberti: On Painting is a cardinal work that revolutionized Western art. In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text. Dr Sinisgalli reverses the received understanding of the relationship between the Italian and Latin versions of Alberti's treatise by demonstrating that Alberti wrote it first in Italian and then translated it into a polished Latin over the course of several decades. This volume is richly illustrated to help demonstrate how Alberti understood optics and art.
On Painting and On Sculpture
This volume makes available the texts of two of his major works of artistic theory, which in part reflected and in part determined the practice of painting and sculpture and which are fundamental for the understanding of the theory and practice of Italian Renaissance art. In spite of their long acknowledge importance and frequent use, the texts themselves have remained comparatively neglected and not infreaquently misunderstood. -- Book Jacket.
