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The Romantic Foundations of the American Renaissance
  • Language: en
  • Pages: 459

The Romantic Foundations of the American Renaissance

The Romantic Foundations of the American Renaissance illuminates the process by which the cultural legacy of European Romanticism was assimilated by and transformed in the literature of mid-nineteenth-century America. Leon Chai traces the development various governing concepts or tendencies from their genesis in British, French, and German Romantic traditions through their subsequent appropriation by such American writers as Poe, Emerson, Hawthorne, and Melville. Among the topics he addresses are the shift from allegory to symbolism; selected trends in Romantic science; the secularization of religion; the emergence of a historical consciousness and a philosophy of history; pantheism; the relation of subjectivity to objectivity in Romantic philosophy; and Romantic poets.

Romantic Theory
  • Language: en
  • Pages: 324

Romantic Theory

  • Type: Book
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  • Published: 2006-07-31
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  • Publisher: JHU Press

Winner of the Jean-Pierre Barricelli Prize given by the International Conference on Romanticism This original study explores the new idea of theory that emerged in the wake of the French Revolution. Leon Chai sees in the Romantic age a significant movement across several broad fields of intellectual endeavor, from theoretical concepts to an attempt to understand how they arise. He contends that this movement led to a spatial treatment of concepts, the primacy of development over concepts, and the creation of metatheory, or the formal analysis of theory. Chai begins with P. B. Shelley on the need for conceptual framework, or theory. He then considers how Friedrich Wolf and Friedrich Schlegel ...

Emerson's Contemporaries and Kerouac's Crowd
  • Language: en
  • Pages: 196

Emerson's Contemporaries and Kerouac's Crowd

Stiles hopes to correct some popular misreadings of the nineteenth-century writers and provide a new approach to reading the twentieth-century authors by juxtaposing them alongside their predecessors."--BOOK JACKET.

Jonathan Edwards and the Limits of Enlightenment Philosophy
  • Language: en
  • Pages: 181

Jonathan Edwards and the Limits of Enlightenment Philosophy

Although most often associated with Puritanism in New England, Jonathan Edwards is in many respects closer to Enlightenment rationality. In this book, Leon Chai explores the connection between Edwards and such figures as Locke, Descartes, Malebranche, and Leibniz, by an analysis of topics that serve to define the nature and limits of rationality itself. The book consists of three parts, each of which begins with a detailed analysis of a crucial passage from a classic Enlightenment text, and then turns to a major theological work by Edwards in which the same issue is examined. This book will be of great interest to students and scholars of early American religion, Enlightenment philosophy, and eighteenth-century culture in general.

Reading Jonathan Edwards
  • Language: en
  • Pages: 704

Reading Jonathan Edwards

This compilation of reader response to Jonathan Edwards, spanning 276 years, includes a reprint of two earlier works ? Jonathan Edwards: A Reference Guide (1981) and Jonathan Edwards: An Annotated Bibliography (1994) ? and the publication of a third, a gathering of commentary from 1994 to 2005. Nearly 140 essays have been added to the first and second works, while the last new gathering ? which includes a celebration of the tercentenary of Edwards??'s birth ? adds another 700 to the whole. The text preserves the pattern of arranging items alphabetically within a given year and of recording cross-references. Essays in a collection are annotated serially rather than alphabetically. Each of the three sections is self-contained with an introduction and annotated bibliography of its own. Adding to the immense value of this work to Edwards scholars are the chronology of Edwards??'s works, listed by date and by short and long title, which precedes the entire work, and the three comprehensive indexes ? of authors and titles, of subjects, and additions to the previous volumes.

Michael Field: The Poet
  • Language: en
  • Pages: 386

Michael Field: The Poet

“Michael Field” was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I. Their arresting poetry has recently gained them a place in the canon, and their extensive engagement with other writers puts them at the centre of fin de siècle literary culture. This Broadview Edition offers selections from all published books of poetry by Michael Field, and a substantial section of transcriptions from largely unpublished manuscript letters and diaries that gives insight into the extraordinary life and work of the authors. A critical introduction, bibliography, and selection of contemporary reviews are also included.

Romantic Dialogues: Anglo-American Continuities, 1776-1862
  • Language: en
  • Pages: 384

Romantic Dialogues: Anglo-American Continuities, 1776-1862

Romantic Dialogues, first published in 2000, contributed to the modern recovery of a transatlantic dimension in literary studies. Part 1 of the book reassesses the events of 1776 as a painful amputation, severing one part of a close-knit republican community from the other. It looks at English visions of America, from Blake’s America, to Barbauld’s Eighteen Hundred and Eleven, and at Romantic Americans such Samuel Williams, William Ellery Channing, Gilbert Imlay and Estwick Evans, who absorbed England’s Romantic revolution long before America’s literary awakening took place. It considers, also, the periodical wars that followed the War of 1812, America’s aspiration to an intellectu...

Journal of Moral Theology, Volume 3, Number 1
  • Language: en
  • Pages: 270

Journal of Moral Theology, Volume 3, Number 1

Virtue:Volume 3, Number 1, January 2014, Edited by David Cloutier and William C. Mattison III. Moral Reason, Person and Virtue: The Aristotelian-Thomistic Perspective in the Face of Current Challenges from Neurobiology, Martin Rhonheimer. The Desire for Happiness and the Virtues of the Will, Jean Porter. Elevating and Healing: Reflections on Summa Theologiae I-II q. 109, a. 2, John R. Bowlin. The Case for an Exemplarist Approach to Virtue in Catholic Moral Theology, Patrick M. Clark. After White Supremacy? The Viability of Virtue Ethics for Racial Justice, Maureen H. O'Connell. Ends and Virtues, Angela Knobel. Virtue, Action, and the Human Species, Charles R. Pinches. Progress in the Good: A Defense of the Thomistic Unity Thesis, Andrew Kim. Teresa of Avila's Liberative Humility, Lisa Fullam. Faith, Love, and Stoic Assent: Reconsidering Virtue in the Reformed Tradition, Elizabeth Agnew Cochran. Review Essay: The Resurgence of Virtue in Recent Moral Theology, David Cloutier and William C. Mattison III

American Fiction and the Metaphysics of the Grotesque
  • Language: en
  • Pages: 262

American Fiction and the Metaphysics of the Grotesque

By synthesizing Kayser's and Bakhtin's views of the grotesque and Heidegger's philosophy of Being, American Fiction and the Metaphysics of the Grotesque seeks to demonstrate that American fiction from Poe to Pynchon has tried to convey the existential dimension: the pre-individual totality or flow of life, which defines itself against the mind and its linguistic capacity. Dieter Meindl shows how the grotesque, through its self-contradictory nature, has been instrumental in expressing this reality-conception, an antirationalist stance in basic agreement with existential thought. The historical validity of this new metaphysics, which grants precedence to Being--the context of cognition--over t...

On Form
  • Language: en
  • Pages: 299

On Form

'On Form' assesses both the legacy of Victorian aestheticism and the nature of the literary. It tracks the development of the world 'form' since the Romantics and offers readings of, among others, Tennyson, Yeats and Plath. Original readings of poetry are combined with a powerful argument about the nature of aesthetic pleasure.