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Daedora was a demigod race created by the heavens to be a weapon in ancient god wars and was banished from existence and thought to be forgotten. The noble Ravenheart family hold secrets of one son, Leon Ravenheart, who is the son of the monarch, hidden away from the world to keep him safe. Betrayal fell upon the family. The truth of Leon has been revealed to the forces of heaven and hell. Heaven desperately tries to hide the truth from surfacing. Hell tries to take control of it. Caught in the war now, Leon sees the death and devastation that will come. Innocent lives are at stake from heaven and hell, selfishly hunting with no regard of who is hurt. He steps in to take his own path, finding allies in the unexpected to attempt to prevent either party from harming those in their way for their selfish gains at any cost.
This collection of essays locates Aristotle's analysis of tragedy in its larger philosophical context. Philosophers, classicists, and literary critics connect the Poetics to Taristoltle's psychology and history, ethics an politics. There are discussions of plot and the unity of action, character and fictional necessity, catharsis, pity and fear, and aesthetic pleasure.
A New York Times bestseller: “Brunetti amply displays the keen intelligence and wry humor that has endeared this series to so many.” —Publishers Weekly Commissario Brunetti’s latest assignment is to look into a minor shop-keeping violation committed by the mayor’s future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but has little choice but to comply. Then Brunetti’s wife comes to him with a request of her own. The sweet, simple-minded man who worked at their dry cleaner has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him. Brunetti begins to investigate an...
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Across the continents of the ancient world wandered the Storyteller, enchanting all who heard him with his wondrous tales of the gods. He longed for a glimpse of the all-powerful deities of his stories, and listened eagerly to those who had experiences such encounters. And interwoven with his journey is the story of Heracles – a magnificent story with all the intense drama and high tragedy of the Greek Myths.
George Whalley's English translation of the Poetics breathes new life into the study of Aristotle's aesthetics by allowing the English-speaking student to experience the dynamic quality characteristic of Aristotle's arguments in the original Greek.
Whether O.B. Hardison Jr. (1929-1990) wrote about government's responsibility to the arts and humanities, film adaptations of Shakespeare's play, Dadaist poetry, or modern and postmodern design and architecture, his chosen form was the essay. Showcasing Hardison's mastery of the essay's power to instruct, persuade, and provoke, the twenty-five selections in this volume range from his earliest works to those completed but still unpublished at the time of his death. As Arthur F. Kinney notes in his preface, they all bear hallmarks of Hardison's style: his intensity and acuity of thought, his concreteness, his grounding of the present and future in the past, his easy melding of analytic and expository conventions, and his intercultural perspective.
This book examines the writings of four ancient Greeks-Homer, Thucydides, Euripides, and Aristophanes. Each of these four individuals represents a different approach toward the human condition, ranging from the heroic and tragic to the comic and absurd. This book focuses on how the human condition can best be understood within the framework of these four perspectives by examining the major contributions of these Greek writers, whether in the form of epic (Homer's Iliad), history (Thucydides' History of the Peloponnesian War), or drama (the plays of Euripides and Aristophanes). These various perceptions of Greek thought illuminate our understanding of what it means to be fully human. By focusing on the concepts of the heroic, tragic, comic, and absurd, we can see how these ancient Greek authors still provide key insights for us today as they clarify those timeless features that define the human condition.
What was Tragedy reconstructs the early modern poetics of tragedy with which practicing dramatists worked. In doing so, it not only illuminates recognized masterpieces but also encourages readers to explore a rich repertoire of tragic drama previously relegated to obscurity only because we lacked the language to interpret it.