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The Man Who Hated Work and Loved Labor
A CIA-connected labor union, an assassination attempt, a mysterious car crash, listening devices, and stolen documents--everything you'd expect from the latest thriller. Yet, this was the reality of Tony Mazzocchi, the Rachel Carson of the U.S. workplace; a dynamic labor leader whose legacy lives on in today's workplaces and ongoing alliances between labor activists and environmentalists, and those who believe in the promise of America. In The Man Who Hated Work and Loved Labor: The Life and Times of Tony Mazzocchi, author and labor expert Les Leopold recounts the life of the late Oil, Chemical, and Atomic Workers Union leader. Mazzocchi's struggle to address the unconscionable toxic exposur...
The Figure in Film
An application of the classical figures of speech to the criticism of the motion picture. The author defines and illustrates each figure by literary analysis, then presents the filmic analogies. The occurrence in film of fantasy, allegory, and abstraction are also discussed.
The Financial Condition of the District of Columbia and the Federal Payment Reauthorization
Distributed to some depository libraries in microfiche.
A Grammar of the Film - An Analysis of Film Technique
The reader will not need more than a glance at this book to discover that it arose out of the ashes of long-forgotten controversies, and was written at a tender age when the splitting of hairs seemed to its author more important than making new discoveries. We may imagine him, as he sat in his panelled Oxford study, the work for his degree pushed to one side, floor and table laden with early writings on the film-the work of such practical masters as Pudovkin, Eisenstein and Grierson, and the scourings of critics and others whose names have not survived the years. What had they to say, these early analysts? Had they established the theory of the film as a veritable art? Had they sufficiently distinguished it from the art forms out of which it grew? Above all, had they fully appreciated the grounds of this distinction? The young author did not think so. With all the heady enthusiasm of his twenty years, and unembarrassed by any actual contact with film, he felt that he had the answer.
Castalia, Cold Creek, and the Blue Hole
Over the past hundreds of years, trillions of gallons of pure, crystal clear water have flowed through the subterranean aquifer system under Huron and Erie Counties in Ohio. The water comes to the surface at the Castalia Springs and the famous Blue Hole, both popular tourist destinations receiving thousands of visitors. Artificial canals were dug in the early 1800s to convey the water northward from Castalia to Venice to power flour mills, subsequently transforming the muskrat marshes into rich farmland. Water was also piped to Sandusky for brewing Crystal Rock beer. The fastmoving waters of Cold Creek provided a favorable environment for raising game trout. This resulted in the establishment of several private troutfishing clubs renowned throughout Ohio. Castalia, Cold Creek, and the Blue Hole offers a pictorial journey through the history of Cold Creek from Seneca Caverns near Bellevue to the carp pens in Venice on Sandusky Bay.
Lovers of Cinema
Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.
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