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Film and Its Techniques
In a manner completely acceptable to the professional film maker, yet thoroughly understandable and of great value to the amateur cinematographer, Spottiswoode presents the essential, unwritten lore of documentary film making. The book deals first with the ideas for a documentary film, and shows how they are embodied ina script. It explains how the production unit is assembled, and goes on to describe the mechanism of the camera, the primary instrument of film making. The chapters which follow discuss the important creative process of editing, optical printing, the film library, and negative cutting. A special section deals with the physics of sound, the technical methods of recording it, an...
A Grammar of the Film
Originally published in England in 1935, this book is an attempt to isolate the fundamental principles of film art and to teach in concrete detail how these principles are well or badly applied in the production of films. This essential task, shirked or derided by most film critics today, Spottiswoode executed with skill and perception. He traced the history of the new medium, analyzed the aesthetic factors governing proper use of camera angle and movement, cuts, dissolves, sound, and other elements of film construction. He also examined the proces by which films produce their special effects upon audiences. A Grammar of the Film contains some predictions that history has belied, and as the ...
British Cinema in the 1950's
Covering a variety of genres, such as war films and women's pictures, as well as social issues which affect film-making, this is a re-evaluation of what has until now been seen as the most critically lacklustre period of the British film industry.
An Outline of Film History
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Electronic Media Criticism
Given the prominence of the electronic media in the 21st century, it is crucial that both media professionals and consumers know how to decipher and evaluate media content, the assumptions on which that content is based, and the constraints to which it is subject. Electronic Media Criticismoffers a variety of critical approaches to audio and video discourse. Rather than restricting itself to one perspective, the book applies key aesthetic, sociological, philosophical, psychological, structural, and economic principles to arrive at a comprehensive evaluation of both programming and advertising content. Maintaining the approach of the original volume, this second edition includes: * updated ch...
