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With much fanfare, Clifton became New Jersey's twelfth-largest city on an April night in 1917. On that day, the people voted 1,276 to 948 to change their form of government and to leave behind the name of Acquackanonk Township. With 500 people in tow, Muscatti's band made its way to the city's crossroads, at Main Street and Clifton Avenue, and played the "Star-Spangled Banner." Red-and-green fireworks lit the sky as townspeople climbed into automobiles and formed an impromptu parade. From then on, Clifton was on its own path. With a striking selection of photographs, many of which have rarely been seen, Clifton tells the story of this remarkable city. It is a community that became home to industry as well as households. Following World War II, it ranked as the state's fastest-growing city. Fanned in part by its proximity to New York and the highways that crossed its border, Clifton spread into new neighborhoods that took shape on the vast farmlands to the west. As one c. 1900s building association proclaimed, Clifton had every advantage: convenience of access to business, good neighbors, beauty and variety of landscape, moderate price of land.
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A twelve-year-old boy, middle son in a wealthy, politically and culturally prominent San Francisco family, watches his city disappear in the earthquake and fires of 1906. His father him that nothing has been lost that cannot be swiftly and easily replaced. He quotes Virgil: “Nothing unreal is allowed to survive.” The boy turns this stark Stoic philosophical “consolation” into the radical theater practices of the day, in the course of which he involves himself with radical labor struggles: anarchists, Wobblies, socialists of every stripe. He learns that politics is meta-acting, and he and his girlfriend—a Connecticut mill girl who is on the verge of national recognition as a spokesperson for workers—embark on a speaking tour with a Midwestern anti-railroad, pro-farmer group and take their political, philosophical, and artistic ethos to the farthest limits of the real and the unreal, where they find there is no useful distinction between the two.
Primarily intended for biotechnology graduates, this handbook provides an overview of the requirements, opportunities and drawbacks of Biotech Entrepreneurship, while also presenting valuable training materials tailored to the industrial and market reality in the European Biotech Business. Potential investors and business consultants will find essential information on the benefits and potential risks involved in supporting biotech businesses. Further, the book addresses a broad range of Biotechnology fields, e.g. food biotech, industrial biotech, bioinformatics, animal and human health. Readers will learn the essentials of creating innovations, founding a biotech start-up, business managemen...
Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. ...
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.
This book discusses the fun side of the quest to develop fusion energy—a modern equivalent of the hunt for the Holy Grail. After more than 70 years of research, despite great progress, the goal has not been realized. Do you have to be crazy to love quests like this? Not really, but you do have to have an unshakeable optimism. Through humorous anecdotes, and accessible yet detailed scientific discussion, this book illuminates the enjoyment of scientific research through an account of fifty years working on fusion energy development. The anecdotes bring out the human side of research, in which innovative and sometimes egocentric scientists create both clever and nutty experiments. Among the ...
According to legend the Constantinian Order is the oldest chivalric institution, founded by Emperor Constantine the Great and governed by successive Byzantine Emperors and their descendants. While this chronology was supported by multiple writers even into the twentieth century, it has little historical basis. Nonetheless, the Angeli, Farnese and Bourbon families which held the Grand Mastership could legitimately claim Byzantine imperial descent, albeit in the female line, and the Order’s cross replicates that seen by Constantine in the vision recorded by both Lactantius and Eusebius, writing very soon after Maximian’s defeat at the battle of the Milvian Bridge. The Order’s emergence i...