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When the mind turns more than one would wish towards questions of - as W.G. Sebald puts it - the "natural history of destruction", comparative consideration by artists and interdisciplinary scholars is directed to the interstices between images, novel, essay, (auto)biography, memorial and travelogue. Artists have been among Sebald's most prolific interpreters - as they are among the more fearless and holistic researchers on questions concerning what it means never to be able to fix an identity, to tell a migrant's story, or to know where a historical trauma ends. Sebald has - as this book attests - also given artists and scholars a means to write with images, to embrace ambiguity, and to turn to today's migrants with empathy and responsibility; as well as to let academic research, creation and institutional engagement blend into or substantially inform one another in order to account for and enable such necessary work in the most diverse contexts.
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How has the collapse of communism across Europe and Eurasia changed gender? In addition to acknowledging the huge costs that fell heavily on women, Living Gender after Communism suggests that moving away from communism in Europe and Eurasia has provided an opportunity for gender to multiply, from varieties of neo-traditionalism to feminisms, from overt negotiation of femininity to denials of gender. This development, in turn, has enabled some women in the region to construct their own gendered identities for their own political, economic, or social purposes. Beginning with an understanding of gender as both a society-wide institution that regulates people's lives and a cultural "toolkit" whi...
This publication offers the first comprehensive overview of Lovro Artuković's practice spanning over the past four decades - exploring his figurative paintings, drawings and graphics that tap into contemporary urban culture with immediate intimacy and lash imagery. (Verlagsangaben)