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It's hard to imagine an issue or image more riveting than Black Germans during the Third Reich. Yet accounts of their lives are virtually nonexistent, despite the fact that they lived through a regime dedicated to racial purity. Tina Campt's Other Germans tells the story of this largely forgotten group of individuals, with important distinctions from other accounts. Most strikingly, Campt centers her arguments on race, rather than anti-semitism. She also provides oral history as background for her study, interviewing two Black Germans for the book. In the end, the author comes face to face with an inevitable question: Is there a relationship between the history of Black Germans and those of other black communities? The answers to Campt's questions make Other Germans essential reading in the emerging study of what it meant to be black and German in the context of a society that looked at anyone with non-German blood as racially impure at best.
This is an innovative and important study of the relationship between Catholicism and liberalism, the two most significant and irreconcilable movements in nineteenth-century Germany
Kathleen Canning explores the changing meanings of women's work in Germany during the transformation from agrarian to industrial state from the mid-nineteenth century through 1914. Canning places gender at the heart of the transitions from workshop to factory, community to society, and estate to class in the textile-producing regions of the Rhineland and Westphalia.
The first history of German drug culture in the psychedelic age
Whether people want to play games and download music, engage in social networking and professional collaboration, or view pornography and incite terror, the Internet provides myriad opportunities for people who share common interests to find each other. The contributors to this book argue that these self-selected online groups are best understood as tribes, with many of the same ramifications, both positive and negative, that tribalism has in the non-cyber world. In Electronic Tribes, the authors of sixteen competitively selected essays provide an up-to-the-minute look at the social uses and occasional abuses of online communication in the new media era. They explore many current Internet su...
Drawing on archival research and interviews with directors, writers, and editors, Last Features is the story of forgotten films made during the time of German unification. Last Features is the story of forgotten films made during the time of German unification. With leftover GDR funds and under chaotic conditions, a group of young East German filmmakers produced around thirty stylistically diverse films. Most of these films were lost in the political upheaval of the Wende, disappearing until the 2009 Wendeflicks festival in Los Angeles brought them back for an international audience. Now available on DVD, these films provide unique insights into the generational struggle in the DEFA studio, ...
A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film. The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.
German history films that focus on utopianism and political dissent and their effect on German identity since 1989. Since unification, a radical shift has taken place in Germans' view of their country's immediate past, with 1989 replacing 1945 as the primary caesura. The cold-war division, the failed socialist state, the '68 student movement, and the Red Army Faction -- historical flashpoints involving political oppression, civil disobedience, and the longing for utopian solutions to social injustice -- have come to be seen as decisive moments in a collective history that unites East and West even as it divides them. Telling stories about a shared past, establishing foundational myths, and f...
Explores German cinema's enthusiasm for and anxiety about the blurring of postwar cultural boundaries
A comprehensive examination of pre-Nazi violence against Jews in nineteenth- and twentieth-century Germany