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Stuart Semple - Suspend Disbelief
The exhibition catalogue is a beautiful full colour publication that accompanied "Suspend Disbelief", Stuart Semple's 2013 solo exhibition in London that was an immersive experience held over two floor of Victoria House in Bloomsbury. Ingeniously designed, the 77 page bound book is assembled in a red custom acrylic slip case that includes numerous inserts that feature the essay "I Just Can't Help Believing" by Clare Hazelton and photography by Nadia Amura. The collection of work from "Suspend Disbelief" by Stuart Semple toy with the notion of pausing disbelief in obvious fictions within entertainment in exchange for pleasure. However it comes at a cost. By turning our backs on the truth of the situation we allow ourselves to be duped into the rejection of essential realities. "Suspension of disbelief doesn't stop at entertainment. It extends to our whole lives, especially in the West. I think we've suspended disbelief in the fact that we're all dying. That's universal. We're all mortal, but it's not a bad thing. Only by acknowledging the inevitability of death are we able to truly live."
Fabrica 10
What place do images hold among other kinds of historical evidence? In Eyewitnessing, Peter Burke reviews graphics, photographs, films, and other media from many countries and periods and examines their pragmatic uses. This profusely illustrated book surveys the opportunities and the challenges of using images to understand other times. In a thorough and compelling defense of the importance of the visual to history, Burke argues that images should not be considered mere reflections of their time and place, but rather extensions of the social contexts in which they were produced. The author describes and evaluates the methods by which art historians have traditionally analyzed images, and fin...
Libretti vom 'Mittelalter'
Die vorliegende Studie fragt nach der Relevanz ,mittelalterlicher‘ Sujets in der Oper der frühen Neuzeit und versucht mithin den Beitrag des Genres, das sich mit Blick auf seine humanistisch-renaissancezeitlichen Wurzeln gemeinhin eher als Sachwalter und Vermittler antiker (Stoff-)Traditionen darstellt, für eine Rezeption des ,Mittelalters‘ als einer historischen Periode an der Wende vom 17. zum 18. Jahrhundert zu bestimmen. Ihren Ausgangspunkt nimmt die interdisziplinär angelegte Untersuchung von einer ausgreifenden heuristischen Erschließung entsprechender Stoffe und Werke an 15 bedeutenden Opernzentren im Reich, in Italien, Frankreich und England. Ein signifikantes Resultat dieser...
status of world comic 2010
세계의 만화가들이 결합한 최대의 단체이자, 유일한 국제행사인 ‘국제만화가대회(The International Comic artist Conference)’ 본부가 한국에 있는 것을 아시는지? 이 책은 국제만화가대회 본부에서 2010년 국제만화가대회를 기념하여, 각국 만화가들의 목소리와 현장보고의 형식을 빌어 세계만화의 현황을 정리한 것이다. 이 책은 평소 생각하지 못했던 전세계 여러 나라의 만화시장, 만화문화를 다채롭게 접할 수 있는 기회가 될 것이다. 인도에서 만화의 의미말레이시아 만화산업의 역사러시아 만화시장 - 비희극(悲喜劇)“만화는 예술임에 희망을 품자” 프랑스의 만화현실성과 언론의 정점에 설계된 문학 (이탈리아) 만화와 애니메이션, 시청각의 새로운 시도 비디오 게임과 만화의 상호관계 (일본) 스페인 만화의 발전스머프, 천재적인 난쟁이 지신(地神)들 (벨기에) 핀란드 만화의 소개 및 미래영국 그래픽노블의 현상 미즈키 시게루 로드 (일본)
Assessment in Neuropsychology
Assessment in Neuropsychology is a practical and comprehensive handbook for neuropsychologists and other professionals who use neuropsychological tests in their everyday work. Each chapter outlines assessment procedures for specific functions such as language, visual impairment and memory. Case studies are used to illustrate their applications, pointing the professional towards the most relevant assessments for their clients' needs, and where and how they can be acquired. Leonora Harding and John R. Beech also explore new developments in neurological and neuropsychological assessment and clarify legal issues. Assessment in Neuropsychology will be an invaluable sourcebook for clinical psychologists, neurologists and other professionals as well as those in training.
La casa ritrovata
Il nome del paese dove sono nato è stato per anni il mio personale tormentone. «Villarbasse» dicevo io. «Quel Villarbasse?» mi chiedevano subito. «Proprio quel Villarbasse» ero costretto ad ammettere ogni volta. Un po’ di tempo fa, qualcuno dei miei...
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