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Learn to make art that can change the world. Multidisciplinary artist, entrepreneur, and activist Stuart Semple believes that art is for everyone, and that everyone is an artist. Every single human has an inner spark of creativity that can make the world a better place. Art can change people, places, attitudes, and communities, healing and communicating when words aren’t enough. Make Art or Die Trying empowers you to understand and connect with big art ideas and embrace your creative potential, no matter where you’re starting from. This stunning, informative, and inspiring book demystifies influential art concepts of the 20th and 21st centuries, including happenings, performance art, Bau...
Millgarth Police Station reverberates with the early adrenalin-rush of a case they won't close for years. A teenage boy trails the city centre bars of the eighties in thrall to his hero - a Leeds United football hooligan. A single woman finds her frustrations with men confirmed speed-dating in a city re-invented as a party capital. Bringing together fiction from some of the city's most celebrated writers, The Book of Leeds traces the unique contours that fifty years of social and economic change can impress on a city. These are stories that take place at oblique angles to the larger events in the city's history, or against wider currents that have shaped the social and cultural landscape of today's Leeds: a modern city with both problems and promise.
Anywhere, Anytime Art: Crayon inspires artists of all skill levels to create beautiful, spontaneous artwork inspired by their surroundings, no matter where they are.
This Separated Isle explores how concepts of ‘Britishness’ reveal an inclusive range of understandings about our national character. Featuring a diverse range of photographic portraits and narrative stories from across the UK, this landmark book examines the relationship between identity and nationhood, revealing the ties that bind us together.
Featuring international contributions from leading and emerging scholars, this innovative Research Handbook presents a panoramic view of how law sees visual art, and how visual art sees law. It resists the conventional approach to art and law as inherently dissonant – one a discipline preoccupied with rationality, certainty and objectivity; the other a creative enterprise ensconced in the imaginary and inviting multiple, unique and subjective interpretations. Blending these two distinct disciplines, this unique Research Handbook bridges the gap between art and law.
The Gashaka Primate Project has grown into one of the largest research and conservation activities in West Africa. At present, it keeps going on the initiative of the editors of this volume and their academic home institutions.The appearance of this volume marks the 10th anniversary of the Gashaka Primate Project
The exhibition catalogue is a beautiful full colour publication that accompanied "Suspend Disbelief", Stuart Semple's 2013 solo exhibition in London that was an immersive experience held over two floor of Victoria House in Bloomsbury. Ingeniously designed, the 77 page bound book is assembled in a red custom acrylic slip case that includes numerous inserts that feature the essay "I Just Can't Help Believing" by Clare Hazelton and photography by Nadia Amura. The collection of work from "Suspend Disbelief" by Stuart Semple toy with the notion of pausing disbelief in obvious fictions within entertainment in exchange for pleasure. However it comes at a cost. By turning our backs on the truth of the situation we allow ourselves to be duped into the rejection of essential realities. "Suspension of disbelief doesn't stop at entertainment. It extends to our whole lives, especially in the West. I think we've suspended disbelief in the fact that we're all dying. That's universal. We're all mortal, but it's not a bad thing. Only by acknowledging the inevitability of death are we able to truly live."
Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the o...
The lives of professors and students, deans and presidents, their ideas and idiosyncrasies, their triumphs and failures, provide the driving force of Waite's narrative. Avoiding the details of financing, curriculum, and administration that sometimes dominate institutional histories, Waite focuses on the men and women who were the blood of the university and who established its traditions and ethos. Halifax in peace and war is basic to Dalhousie's history, as is its relations with other colleges and universities in Nova Scotia. Waite sets all this out, placing Dalhousie's development within the larger Nova Scotian context.