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The life and career of Louise Moillon (1609/10–1696) offers a fascinating case study of a supremely talented artist whose posthumous reputation has been mired in invisibility. Born and raised in Paris, Moillon was the sole woman in a circle of Calvinist Protestant émigrés who brought their tradition of still-life painting with them from Flanders. During her lifetime, she was able to enjoy a degree of professional independence and attract enough recognition to be regarded as on a level with her male counterparts, yet her exquisite work and enigmatic story are little known today. This illustrated biography examines some of the ways in which Moillon’s story has been represented since the revival of interest in her work and draws on recent scholarship to situate the painter in her rightful place. Offering a sweeping exploration of the genre of still life, this book also chronicles how a woman in early modern France was able to capture the attention of the artistic world while dissecting why her prominence waned in the centuries following her death.
One of the greatest films ever to be made in Scotland, The Wicker Man immediately garnered a cult following on its release for its intense atmosphere and shocking denouement. This book explores the roots of this powerful, enduring film. With contributors including The Wicker Man director Robin Hardy, it is a thorough and informative read for all fans of this indispensable horror masterpiece.
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"Andrew Geddes is one of the most versatile and underrated Scottish artists of the first half of the nineteenth century. This is the first book to consider the fill range of Gedde's work as painter, printmaker and collector" -- BOOK JACKET.
When Paul Gauguin (1848-1903) painted Vision After the Sermon in the summer of 1888 he was a mature artist who had travelled, exhibited and worked in a variety of media. Today the painting is considered a masterpiece, helping to assure Gauguin's fame the world over. Few paintings have given rise to more art historical analysis and critique, more speculation, admiration or recrimination. Accompanying the innovative painting-in-focus exhibition, 'Gauguin's Vision', this book illuminates one of the most intriguing and famous images in the history of western art. This re-examination of the painting, Vision After the Sermon: Jacob Wrestling with the Angel brings together works by Gauguin, his mentors such as Paul C, zanne and Edgar Degas, and younger contemporaries including Emile Bernard, Paul S, rusier, Maurice Denis and Henri van de Velde. It explores the biographical, pictorial and cultural circumstances that enabled Gauguin to make such a radical statement in paint in 1888. This beautifully illu
Volume contains: 129 NY APP 302 (Barry v. Coville) 129 NY APP 645 (Curtis v. Murphy) 129 NY APP 646 (Dolan v. City of Bklyn) 129 NY APP 646 (Axt v. Shankey) 129 NY APP 647 (U.S. Nat'l Bk v. Nat'l Pk Bk of N.Y.) 131 NY APP 72 (Zabriskie v. Central Vermont R.R. Co.)
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