Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The House of Happy Endings
Leslie Garis's grandparents, Howard and Lillian Garis, were, from the turn of the century to the 1950s, phenomenally productive (and incredibly popular) authors of books for children. Every American child grew up reading the Uncle Wiggily stories, The Bobbsey Twins and Tom Swift. House of Happy Endings tells how in a large romantic house in Amherst, Massachusetts, Leslie Garis, her two brothers, her parents and grandparents aimed to live a life that mirrored the idyllic world the elder Garises created. But inside the Dell all was not right. Roger Garis's inability to match his parents' success in his own work as playwright, novelist and magazine writer led him to believe that he was a failure as father, husband and son, and eventually deepened into mental illness characterised by raging mood swings, drug abuse and bouts of debilitating and destructive depression. House of Happy Endings is Leslie Garis's mesmerising, tender and harrowing account of growing up in a wildly imaginative, loving, but fatally wounded family.
Uncollecting Cheever
The story of how little Academy Chicago Publishers (co-owned by the author and her husband, Jordan Miller) tried to publish the late John Cheever's uncollected short stories, and was blocked from doing so by Cheever's family, is now a familiar part of publishing lore (and law).
Island Paradise: The Myth
A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality – the ‘Great House...
Spy
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
Illness as Narrative
For most of literary history, personal confessions about illness were considered too intimate to share publicly. By the mid-twentieth century, however, a series of events set the stage for the emergence of the illness narrative. The increase of chronic disease, the transformation of medicine into big business, the women's health movement, the AIDS/HIV pandemic, the advent of inexpensive paperbacks, and the rise of self-publishing all contributed to the proliferation of narratives about encounters with medicine and mortality. While the illness narrative is now a staple of the publishing industry, the genre itself has posed a problem for literary studies. What is the role of criticism in relat...
Without Guarantees
Stuart Hall’s retirement from the Open University in 1997 provided a unique opportunity to reflect on an academic career which has had the most profound impact on scholarship and teaching in many parts of the world. From his early work on the media, through his influential re-working of Gramsci for the analysis of Britain in the late 1970s, through his considered debates on Thatcherism and more recently on “race” and new ethnicities, Hall has been an inspirational figure for generations of academics. He has helped to make universities places where ideas and social commitment can exist alongside each other. This collection invites a wide range of academics who have been influenced by Stuart Hall’s writing to contribute not a memoir or a eulogy but an engaged piece of social, cultural or historical analysis which continues and develops the field of thinking opened up by Hall. The topics covered include identity and hybridity, history and post-colonialism, pedagogy and cultural politics, space and place, globalization and economy, modernity and difference.
The House of Happy Endings
Leslie Garis’s grandparents, Howard and Lillian Garis, were, from the turn of the century to the 1950s, phenomenally productive (and incredibly popular) authors of books for children. Every American child grew up reading the Uncle Wiggily stories, The Bobbsey Twins and Tom Swift. House of Happy Endings tells how in a large romantic house in Amherst, Massachusetts, Leslie Garis, her two brothers, her parents and grandparents aimed to live a life that mirrored the idyllic world the elder Garises created. But inside the Dell all was not right.Roger Garis’s inability to match his parents’ success in his own work as playwright, novelist and magazine writer led him to believe that he was a failure as father, husband and son, and eventually deepened into mental illness characterised by raging mood swings, drug abuse and bouts of debilitating and destructive depression. House of Happy Endings is Leslie Garis’s mesmerising, tender and harrowing account of growing up in a wildly imaginative, loving, but fatally wounded family.
The Work of Writing
This work documents the growing professionalisation of writing in the 1700s, as well as the ways in which both nationalist and entrepreneurial impulses worked to exclude women writers from the new category of professional writer in the 19th century.
Understanding Jamaica Kincaid
Understanding Jamaica Kincaid introduces readers to the prizewinning author best known for the novels Annie John, Lucy, and The Autobiography of My Mother. Justin D. Edwards surveys Jamaica Kincaid's life, career, and major works of fiction and nonfiction to identify and discuss her recurring interests in familial relations, Caribbean culture, and the aftermath of colonialism and exploitation. In addition to examining the haunting prose, rich detail, and personal insight that have brought Kincaid widespread praise, Edwards also identifies and analyzes the novelist's primary thematic concerns - the flow of power and the injustices faced by people undergoing social, economic, and political change. Edwards chronicles Kincaid's childhood in Antigua, her development as a writer, and her early journalistic work as published in the New Yorker and other magazines. In separate chapters he provides critical appraisals of Kincaid's early novels; her works of nonfiction, including My Brother and A Small Place; and her more recent novels, including Mr. Potter. colonization and neocolonization and warns her readers about the dire consequences of inequality in the era of globalization.
