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After years of hunting terrorists in Europe, operative Valentine Frankland is called back to Washington to deal with an old enemy. As expected, Val is given a hostile reception when he reunites with what is left of his old team, but when he meets new team member Susanne Wilder, something unexpected happens--he falls in love. For the first time in years, Val doesn't know what to do. His love for Susanne is undeniable, but every time he lets someone get close, tragedy strikes. He can't imagine a life without her, but his enemies are everywhere. Their love puts Susanne's life in danger. Val decides to resign and walk away from the life he has known so that he and Susanne can be together, but his enemies are not dissuaded so easily. When there are multiple attempts on his life--one of which nearly succeeds--Val resists the urge to retaliate, even when he suspects the involvement of one of his own team members. But when Susanne is kidnapped, all bets are off . This time it's personal, and he will stop at nothing to make his enemies pay.
Harrison's astute if uneven debut stages a contest between memory and geography. On the one hand, she writes about retrospect, regret, elegy: my father gone into the long/ raveling of sidereal years was gone into coffin/ three days before someone remembered he had/ children somewhere. On the other hand, she cannot help imagining travel, new vistas, escapes: one such poem, Peace, asks us to cherish brief moments before dawn when you believe/ in other beds, lose possibilities,/ before you don your life like a B-movie/ unlovely and badly cut. A former photojournalist, Harrison thinks in panels, exposures, frames: her quiet free verse neither undercuts nor much enhances her concise symbols: You ...
The poems in The Book of Endings try to make sense of, or at least come to some kind of reckoning with absence-the death of the author's mother, the absence of the beloved, the absence of an accountable god, cicadas, the dead stars arriving, the dead moon aglow in the night sky.
Volume II of Playing Outside the Lines is the second of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in Volume I and providing the framework for the remaining two volumes of the series, Volume II offers a detailed introduction to Irish traditional flute ornamentation. Volume II contains ornamentation fingering charts, 40 tune versions, 69 accompanying audio tracks, and nearly 200 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 t...
Fifteenth-century theologian and philosopher Nicholas Malebranche said that attentiveness is the natural prayer of the soul. The title of this third collection by National Book Award finalist Harrison means both to pay attention to, and to be concerned by. These strange and moving poems take as one of their central tenets that the act of paying attention engenders care, empathy, and love. From the widest lenses--history, time itself, the abandoned machines of space, ancient plagues, and the moon--to the smallest creatures we share the imperiled planet with--mice, wood frogs, birds, bats, and bees--the poems of Reck ask what it means to live and how we can love in our historical moment, beset as we are by climate change, pandemic, war and cataclysms great and small. An early poem invites-- "Come be with me we have tickets for the end/ of the world." By turns funny, bitter, and deeply lyrical, this is a book of love, attention, concern, and grief.
Throughout his career, M. John Harrison’s writing has defied categorisation, building worlds both unreal and all-too real, overlapping and interlocking with each other. His stories are replete with fissures and portals into parallel dimensions, unidentified countries and lost lands. But more important than the places they point to are the obsessions that drive the people who so believe in them, characters who spend their lives hunting for, and haunted by, clues and maps that speak to the possibility of somewhere else. This selection of stories, drawn from over 50 years of writing, bears witness to that desire for difference: whether following backstreet occultists, amateur philosophers, down-and-outs or refugees, we see our relationship with ‘the other’ in microscopic detail, and share in Harrison’s rejection of the idea that the world, or our understanding of it, could ever be settled.
For many artists, evoking emotion and feeling through their work is the ultimate goal. Popular wildlife artist Lesley Harrison shows readers how to do just that in "Painting Animals That Touch the Heart." She covers everything from specific pastel painting techniques to choosing papers, reference materials, and lighting. Also highlighted is Harrison's strategy for identifying emotion in animals--the first critical step for a dramatic painting.
After years of hunting terrorists in Europe, operative Valentine Frankland is called back to Washington to deal with an old enemy. As expected, Val is given a hostile reception when he reunites with what is left of his old team, but when he meets new team member Susanne Wilder, something unexpected happens--he falls in love. For the first time in years, Val doesn't know what to do. His love for Susanne is undeniable, but every time he lets someone get close, tragedy strikes. He can't imagine a life without her, but his enemies are everywhere. Their love puts Susanne's life in danger. Val decides to resign and walk away from the life he has known so that he and Susanne can be together, but his enemies are not dissuaded so easily. When there are multiple attempts on his life--one of which nearly succeeds--Val resists the urge to retaliate, even when he suspects the involvement of one of his own team members. But when Susanne is kidnapped, all bets are off . This time it's personal, and he will stop at nothing to make his enemies pay.
"The Stuff on the Inside" is a coming-of-age novel that follows a young student named Leslie Barclay. During his journey through college, Leslie battles with the finite nature of life, the collapsing health of those closest to him, and struggles to mask his identity crisis. The more the outside world fails him, the more refuge Leslie seeks within the walls of his college. Pursuing any means to cheat death and stay young forever, Leslie sells his soul to the masters that rule on campus. In this attempt to stave off the coming tide of adulthood, Leslie finds himself drowning in a sea of adolescence that he helped create. Only to discover a horrifying truth... you either get old, or you die. This novel touches on many adult conversations surrounding topics such as mental health, self-harm, death denial, and sexual assault. It is not intended for readers under the age of eighteen.