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Based on research conducted for the Canadian Museum of Civilization exhibition Legends of Our Times: Native Ranching and Rodeo Life on the Plains and Plateaus, this volume describes the many aspects of Native cowboy culture, including the spiritual and cultural dimensions, ranching life, and rodeo and associated entertainment. Abundantly illustrated with superb historical and contemporary photographs. Distributed by University of Washington Press. Annotation copyrighted by Book News, Inc., Portland, OR
Salish Blankets presents a new perspective on Salish weaving through technical and anthropological lenses. Worn as ceremonial robes, the blankets are complex objects said to preexist in the supernatural realm and made manifest in the natural world through ancestral guidance. The blankets are protective garments that at times of great life changes--birth, marriage, death--offer emotional strength and mental focus. A blanket can help establish the owner's standing in the community and demonstrate a weaver's technical expertise and artistic vision. The object, the maker, the wearer, and the community are bound and transformed through the creation and use of the blanket. Drawing on first-person accounts of Salish community members, object analysis, and earlier ethnographic sources, the authors offer a wide-ranging material culture study of Coast Salish lifeways. Salish Blankets explores the design, color/pigmentation, meaning, materials, and process of weaving and examines its historical and cultural contexts.
In The Struggle for Development and Democracy Alessandro Olsaretti argues that we need significantly new theories of development and democracy to answer the problem posed by neoliberalism and the populist backlash, namely, uneven development and divisive politics heightened by the 9/11 attacks. This volume proposes a general theory of development and democracy, as part of a unified theory of power, emphasizing that development needs markets, civil society, and the state, and also the proper networks and interactions amongst markets, civil society, and the state. Imperialism undermines these interactions, and turns countries into providers of cheap land or labour. This book begins to sketch the mechanisms at work, and to answer one question: how did imperialist elites build their power? All royalties from sales of this volume will go to GiveWell.org in honour of Alessandro Olsaretti's memory.
Contains papers presented as a lecture series which discuss the changing museum scene in Canada and new directions in museum programming. They contain ideas which will guide Canada's national museums into the 21st century.
¾–Josephine Waggonerês writings offer a unique perspective on the Lakota. Witness will become a widely referenced primary source. Emily Levine has meticulously examined all known collections of Waggonerês manuscripts, sometimes comparing handwritten drafts with multiple typed copies to preserve information in full. Levineês extensive notes are well chosen and informative. Witness will interest both specialist and popular audiences.”ãRaymond DeMallie, Chancellorsê Professor of Anthropology and American Indian Studies at Indiana University¾ During the 1920s and 1930s, Josephine Waggoner (1871_1943), a Lakota woman who had been educated at Hampton Normal and Agricultural Institute in...
Eight papers highlight the important role that comprehensive study of museum collections - in particular, the understanding of garment cuts and techniques of weaving, sewing and decorative work - can play in material culture studies. Three papers by individuals working in contemporary Aboriginal communities illustrate the value of this detailed information to those seeking to revive traditional skills.
Anthropological photographs taken between 1871 and 1961. A major portion was taken between 1911 and 1922 by James A. Teit.
This catalog presents sites, activities and portraits recorded by Harlan I. Smith while doing ethnographic fieldwork among Nuxalk, Chilcotin and Carrier people in the Bella Coola Valley between 1920 and 1924. Harlan Smith was a self-trained archaeologist, a prolific photographer and one of Canada's earliest ethnographic film makers. He gained experience in Northwest Coast archaeology soon after joining the staff of the American Museum of Natural History as the archaeologist for the Jesup North Pacific Expeditions. Smith worked on both the British Columbia plateau and coastal regions, where he collected some artifacts and photographs, but was mainly concerned with the mapping and excavation o...
In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood’s representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that l...