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Explore the lives of 83 of the most talented children's authors writing today. Told in the authors' own words, these lively biographies describe the creative process, and offer advice to today's young writers. Learn how they crate wonderful books, where they get their ideas, what their desks look like, and what their favourite books were when they were growing up.
As well as the fifteen investigating women in the book, Skene-Melvin's introduction describes hundreds of female sleuths and their creators in an in-depth analysis of women detective fiction by Canadians.
John Boileau and Dan Black tell the stories of some of the 30,000 underage youths -- some as young as fourteen -- who joined the Canadian Armed Forces in the Second World War. This is the companion volume to the authors' popular 2013 book Old Enough to Fight about boy soldiers in the First World War. Like their predecessors a generation before, these boys managed to enlist despite their youth. Most went on to face action overseas in what would become the deadliest military conflict in human history. They enlisted for a myriad of personal reasons -- ranging from the appeal of earning regular pay after the unemployment and poverty of the Depression to the desire to avenge the death of a brot...
Judith Merril was a pioneer of twentieth-century science fiction, a prolific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature. Better to Have Loved is illustrated with original art works, covers from classic science fiction magazines, period illustrations, and striking photography.
Essays on some of the most prominent Eastern European writers from the twentieth-century from the Czech Republic, Estonia, Hungary, Latvia, Lithuania, Poland, Romania and Slovakia. Discusses the contributions of these authors who played a significant role in the growth, development, and preservation of their respective literatures. This rich and diverse literary history of Eastern Europe mirrors the depth and complexity of its social and political history.
Almost overnight, the massive military-industrial assets of the Soviet Union came under the jurisdiction of fifteen states instead of one established government. While only four states inherited weapons of mass destruction, most of the fifteen states of the former Soviet Union can produce sensitive materials and equipment. Because all the states se
A reference to 450 North American publishers of materials on East European subjects, who have produced materials in the humanities and social sciences relating to Albania, the Baltic Republics, Bulgaria, Czechoslovakia, Greece (since 1821) and Cyprus, Hungary Poland, Romania, and the former East Germany, U.S.S.R. and Yugoslavia; also, history of the Byzantine, Habsburg, Ottoman and Russian empires.
Fifth Business and Alligator Pie. Stephen Leacock, Grey Owl, and Morley Callaghan: these treasured Canadian books and authors were all nurtured by the Macmillan Company of Canada, one of the country's foremost twentieth-century publishing houses. The Literary Legacy of the Macmillan Company of Canada is a unique look at the contribution of publishers and editors to the formation of the Canadian literary canon. Ruth Panofsky's study begins in 1905 with the establishment of Macmillan Canada as a branch plant to the company's London office. While concentrating on the firm's original trade publishing, which had considerable cultural influence, Panofsky underscores the fundamental importance of educational titles to Macmillan's financial profile. The Literary Legacy of the Macmillan Company of Canada also illuminates the key individuals – including Hugh Eayrs, John Gray, and Hugh Kane – whose personalities were as fascinating as those of the authors they published, and whose achievements helped to advance modern literature in Canada.
Kiebuzinska, who teaches modern drama, comparative literature, and film at Virginia Tech, considers intertextuality in modern drama. In nine essays, she examines the connections between the works of modern playwrights such as Kundera, Jelinek, and Hampton and the texts of earlier writers such as Did