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Tauste en su historia. Actas de las XV Jornadas sobre la Historia de Tauste
Cartografía territorial y caracterización de los suelos tipo del municipio de Tauste. Leticia Gaspar Ferrer, Leticia Palazón Tabuenca, Laura Quijano Gaudes, Ana Navas Izquierdo Tauste en el ocaso del Valle del Ebro musulmán (1080- 1125). Esplendor y declive de una civilización perdida. Carlos Laliena Corbera Roncesvalles y el reino de Aragón: El ejemplo de Tauste y la comarca de Cinco Villas. Fermín Miranda García Al servicio del Tercer Reich. Taustanos en la División Azul y el Frente del Este. Luis Antonio Palacio Pilacés
Tauste en su historia. Actas de las XXI Jornadas
Nacimiento y consolidación de las Enseñanzas Medias en Tauste: desde los colegios Virgen de Sancho Abarca y San Fernando al Instituto de Bachillerato. Javier Núñez Arce Fagüeño, el Boletín Cultural de la Transición en Tauste. Sara González Murillo Baruka: la voz de la música folk en Tauste (1980-1986).1a parte. Belén López Casanova Baruka: la voz de la música folk en Tauste (1980-1986). 2a parte. Jesús Cardona Leciñena Los Últimos de Filipinas: Baldomero Larrodé Paracuellos, un héroe de Tauste en el sitio de Baler. Miguel Ángel López de la Asunción Ramón J. Sender (1901-1982): La escritura como reparación. José Domingo Dueñas Lorente
The Diplomatic Enlightenment
Eighteenth-century Spain drew on the Enlightenment to reconfigure its role in the European balance of power. As its force and its weight declined, Spanish thinkers discouraged war and zealotry and pursued peace and cooperation to reconfigure the international Spanish Empire.
Strawberry Fields
None
Emotions, Art, and Christianity in the Transatlantic World, 1450–1800
A study into the role of visual and material culture in shaping early modern emotional experiences, c. 1450–1800
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Tender Is the Flesh
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
The Marqués, the Divas, and the Castrati
In this book, author Louise K. Stein analyzes early modern opera as appreciated and produced by Gaspar de Haro y Guzmán (1629-87), Marqués de Heliche and del Carpio and a distinguished patron of the arts in Madrid, Rome, and Naples. It also reveals his lasting legacy in the Americas during a crucial period for the growth and development of opera and the history of singing.
