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The Life and Thought of Lev Karsavin
“At last, Russia has begun to speak in a truly original voice.” So said Anatoly Vaneev, a Soviet dissident who became Karsavin’s disciple in the Siberian gulag where the philosopher spent his last two years. The book traces the unusual trajectory of this inspiring voice: Karsavin started his career as Russia’s brightest historian of Catholic mysticism; however, his radical methods – which were far ahead of their time – shocked his conservative colleagues. The shock continued when Karsavin turned to philosophy, writing flamboyant and dense essays in a polyphonic style, which both Marxists and religious traditionalists found provocative. There was no let-up after he was expelled by...
The Oxford Handbook of Russian Religious Thought
A comprehensive collection exploring the role of ideas, institutions, and movements in the evolution of Russian religious thought, Contains cutting-edge scholarship that expands understanding of one of the richest aspects of Russian cultural and intellectual life, Considers the influence of Russian religious thought in the West and the role of religion in aesthetics, music, poetry, art, film, and the novel, An authoritative reference for students and scholars Book jacket.
The Life and Ballets of Lev Ivanov
This is the first book-length study in any language about this Russian artist--Marius Petipa's colleague and Tchaikovsky's collaborator--who is widely celebrated and yet virtually unknown. It follows Ivanov from his infancy in a St Petersburg foundling home through to his career as a dancer, r gisseur, and choreographer in the St Petersburg Imperial Ballet. Ivanov's artistic world is described, as is his legacy-- some dozen works, including Swan Lake, The Nutcracker, and the famous dances from Prince Igor--that inspired Mikhail Fokine in the next generation. The book is richly documented, including the first complete publication of Ivanov's memoirs and hundreds of citations, many published here for the first time, from state documents, reminiscences, and criticism.
A Life Well Danced: Maria Zybina’s Russian Heritage Her Legacy of Classical Ballet and Character Dance Across Europe
This book explores the relationships between dancers and their teachers, and classical ballet pedagogy through the life of Maria Zybina. It was inspired by the author’s direct connection through Zybina and her teachers.
Dancing Lives
The private and performance lives of five female dancers in Western dance history
The great history of Russian ballet
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
Larisa Reisner. A Biography
‘She burst across the revolutionary sky like a blazing meteor, dazzling all in her path,’ Trotsky wrote. For the poet Boris Pasternak, she was Lara, the heroine of his novel Doctor Zhivago. Commissar, revolutionary fighter, espionage agent, journalist, Larisa Reisner (1895–1926) was a model for the ‘new woman’ of the Russian Revolution, and one of its most popular and brilliant writers, whose works were published in mass editions and read by millions. Her life is set against the world-shaking events of 1917, and draws on material recently released from the Soviet archives to tell her story through the memories of those close to her, her own voluminous writings, and her six books, published for the first time together by Brill with this biography. This biography is accompanied by Brill’s publication of Cathy Porter and Richard Chappell’s Writings of Larisa Reisner, published as volume 302 in the Historical Materialism book series.
Marius Petipa
This cultural biography of the nineteenth-century ballet master Marius Petipa -- creator of The Sleeping Beauty and Swan Lake -- tells the full story of his life and work in the remarkable context in which he lived.
Five Ballets from Paris and St. Petersburg
This book offers something entirely new: detailed scene-by-scene descriptions of the action and dancing of Giselle, Paquita, Le Corsaire, La Bayadère, and Raymonda, bringing the reader far closer to what the audience saw when the curtain went up on these five classic story ballets than has heretofore been possible. Drawing on archival documents, the authors show that these ballets were like today's pop entertainment: funnier, more violent, more spectacular, and with female characters far stronger than one might expect. This rigorously researched book fills huge gaps in dance history and is bound to be of interest to practitioners, scholars, and devotees of ballet and the arts.
