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`The book is essentially for a student of mass communication or may be of interest to the communications expert into communications reserach, theory or operations research. The author addresses a specific "audience" and does it to perfection with a simple very readable presentation' - The Economic TimesDenis McQuail provides a coherent and succinct account of the concept of `media audience' in terms of its history and its place in present-day media theory and research. McQuail describes and explains the main types of audience and the main traditions and fields of audience research.Audience Analysis explains the contrast between social scientific and humanistic approaches and gives due weight to the view `from the audience' as well as the view `from the media'. McQuail summarizes key research findings and assesses the impact of new media developments, especially transnationalization and new interactive technology. The book concludes with an evaluation of the continued relevance of the audience concept under conditions of rapid media change. Audience Analysis provides both an overview of past research and a guide to current thinking.
Abigail Rosen, nicknamed Appassionata, was the sexiest, most flamboyant violinist in classical music, but she was also the loneliest and the most exploited girl in the world. When a dramatic suicide attempt destroyed her violin career, she set her sights on the male-dominated heights of the conductor's rostrum. Given the chance to take over the Rutminster Symphony Orchestra, Abby is ecstatic, not realising the RSO is in hock up to its neck and is composed of the wildest bunch of musicians ever to blow a horn or caress a fiddle. Abby finds it increasingly difficult to control her undisciplined rabble and pretend she is not madly attracted to the fatally glamorous horn player, Viking O'Neill, who claims droit de seigneur over every pretty woman joining the orchestra. And then Rannaldini, arch-fiend and international maestro, rolls up with Machiavellian plans of his own to sabotage the RSO. Effervescent as champagne, Jilly Cooper's novel brings back old favourites like Rupert and Taggie Campbell-Black, but also ends triumphantly with a rampageous orchestral tour of Spain and the high drama of an international piano competition.
Captain Karl von Schenk of the Kaiser's Navy is a stereotypical German nobleman - supremely self-confident, touchy about the divisions of class and any infringement on his place. He thinks he is handsome, has a suitably manly physique, an excellent singing voice, and a facility with writing. His wartime service related in his diary is a series of triumphs over harrowing circumstances, bringing his boat back in spite of the best efforts of the Royal Navy to stop him. His one vulnerability is a young lady he meets on leave in Bruges, Belgium. Although she is the trophy girlfriend of a German colonel who could cause him much harm if he were to find out, von Schenk pursues his Zoe with Teutonic straightforwardness. And both he and the reader are entirely blind-sided by the unexpected thunderclap that puts an end to the sweet affair. Stephen King-Hall, a Royal Navy officer during the war and writing as "Etienne", penned this book as if he had simply discovered it on a surrendered submarine. In fact, some editions of the book list the author as "anonymous." King-Hall's knowlege of naval affairs lend authority to this yarn of men that go to the sea in ships that sink... on purpose.
"Frontiers of Ottoman Studies provides a comprehensive overview of the surge in research into Ottoman history and culture over the past two decades. The first volume reflects the growing interest in the provinces, communities and cultures outside the imperial capital of Istanbul and covers four major areas: politics and Islam; economy and taxation; development of Ottoman towns and Arab and Jewish communities. Chapters on Ottoman legal and fiscal institutions provide a fascinating insight into the Ottoman government's interaction with the Empire's subjects, while reviews of Egypt and the Arab provinces emphasize the stirrings of Arab nationalism in the late nineteenth and twentieth centuries that ultimately contributed to the demise of the Empire."--Bloomsbury Publishing.
The Mughal Empire was one of the great powers of the early modern era, ruling almost all of South Asia, a conquest state, dominated by its military elite. Many historians have viewed the Mughal Empire as relatively backward, the Emperor the head of a traditional warband from Central Asia, with tribalism and the traditions of the Islamic world to the fore, and the Empire not remotely comparable to the forward looking Western European states of the period, with their strong innovative armies implementing the “military revolution”. This book argues that, on the contrary, the military establishment built by the Emperor Babur and his successors was highly sophisticated, an effective combinati...
This volume examines continuities and new developments in the conduct of warfare in early modern Eastern Europe from the early sixteenth century, when Ottoman imperial expansion reached the Danube and Crimea, to the late eighteenth century, when the Polish-Lithuanian Commonwealth was partitioned out of existence and Russia rolled back Ottoman power from Ukraine and Moldavia. Contributors include specialists in Russian, Polish, Ottoman, Habsburg, Cossack, and Crimean Tatar history. The essays engage military history understood in the broadest sense and treat such subjects as taxation, recruitment, the sociology and culture of officer corps, logistics, command-and-control, and ideology as well as technology and tactics. The volume aims at facilitating comparative study of Eastern European military development across Eastern Europe and its points of divergence from military practice in the West. Contributors are Virginia H. Aksan, Brian J. Boeck, Peter B. Brown, Brian Davies, Dariusz Kupisz, Erik Lund, Janet Martin, Oleg Nozdrin, Victor Ostapchuk, Geza Palffy and Carol Belkin Stevens.
Fifteen contributors examine the interpretative value of ideas of revolution for explaining historical development within their own speciality. They assess the existing historiography and offer their personal views.