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Marshall amplifiers go together with rock music like a Rolls-Royce with a swimming pool. Since 1962, their iconic amps have been used by just about every major artist and band in music history - from Led Zeppelin and AC/DC to Iron Maiden, Nirvana and countless others. Now, inspired by all of the bands, songs and albums they've heard and loved down the years, Marshall have created The Book of Loud - collecting together thousands of facts, figures and pieces of musical trivia on subjects across the rock spectrum, from global icons such as The Ramones, Jimi Hendrix and The Who to the cutting-edge acts that are lighting up the scene today. It is the ultimate accessory for the music-minded from one of the biggest names in rock.. Contents include: - The loudest bands of all time - Blacklisted: the records banned from the radio - The greatest beards in rock - Notable rock star tattoos - The anatomy of a Marshall amp - The most notorious riders in gig history - ... and much, much more!
Marshall McLuhan was the visionary theorist best known for coining the phrase “the medium is the message.” His work prefigures and underlies the themes of writers and artists as disparate and essential as Andy Warhol, Nam June Paik, Neil Postman, Seth Godin, Barbara Kruger, and Douglas Rushkoff, among countless others. Shortly before his death, together with his media scholar son Eric, McLuhan worked on a new literary/visual code–almost a cross between hieroglyphics and poetry–that he called “the tetrads.” This was the ultimate theoretical framework for analyzing any new medium, a koan-like poetics that transcends traditional means of discourse. Some of the tetrads were published, but only a few. Now Eric McLuhan has recovered all the “lost” tetrads that he and his father developed, and accompanies them here with accessible explanations of how they function.
Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.
Tim Marshall, the New York Times bestselling author of Prisoners of Geography, offers “a readable primer to many of the biggest problems facing the world” (Daily Express, UK) by examining the borders, walls, and boundaries that divide countries and their populations. The globe has always been a world of walls, from the Great Wall of China to Hadrian’s Wall to the Berlin Wall. But a new age of isolationism and economic nationalism is upon us, visible in Trump’s obsession with building a wall on the Mexico border, in Britain’s Brexit vote, and in many other places as well. China has the great Firewall, holding back Western culture. Europe’s countries are walling themselves against ...
Conflict photographer and critical theorist Rita Leistner applies Marshall McLuhan's semiotic theories of language, media and technology to iPhone photographs taken during a military embed in Afghanistan. In a series of iProbes - a portmanteau of iPhone and probe - Leistner reveals the face of war through the extensions of man.
Armed with an empty whiskey bottle and wearing a tie-dyed Jimi Hendrix T-shirt, Florida State University dropout Marshall Ledbetter broke into the Florida State Capitol early one morning in June 1991. He occupied the Sergeant of Arms suite, demanding an extra-large Gumby’s pizza and 666 donuts for the cops waiting outside. He hoped to garner media attention for his protest of poverty, homelessness, and cuts to higher education. After an eight hour standoff, Ledbetter was betrayed by the very media he had counted on to tell his story; his demands were not broadcast on CNN as he had been promised but streamed into the office on closed-circuit TV. Although he left the building peacefully, the...
(Book). From its humble origins in the back of a small music store in London, Marshall Amplification has defined the sound of rock for generations of guitarists around the world. The History of Marshall: The First Fifty Years tells the story of Jim Marshall's remarkable life and documents the many innovations of Marshall amplifiers, from the famous "stack" to the most current offerings. The book features: * Hundreds of color photographs throughout, including rare amplifiers and previously unpublished historical documents * Reprints of vintage catalogs and marketing materials from Marshall and its related brands, including Park and CMI * Extensive appraisal and history of the Celestion speake...
The definitive monograph on contemporary African American painter Kerry James Marshall, accompanying a major traveling retrospective. This long-awaited volume celebrates the work of Kerry James Marshall, one of America’s greatest living painters. Born before the passage of the Civil Rights Act, in Birmingham, Alabama, and witness to the Watts riots in 1965, Marshall has long been an inspired and imaginative chronicler of the African American experience. Best known for large-scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from...
This text presents Alfred Marshall’s final, unfinished, and unpublished book. His main volume, Principles of Economics, was first published in 1890, and was, for a long period of time, the textbook par excellence on which generations of economists were trained. Despite its success and its importance, the book, in its eight editions, testifies to some extent to the failure of Marshall’s original editorial project which should have consisted of multiple volumes and culminated with the publication of a final work on economic progress. Marshall’s death in 1924 made it impossible to realize his project, but many notes written for it have survived. These notes, collected here, constitute a fundamental element in fully understanding the thought and perspectives of this great economist and in appreciating his great modernity and wisdom.