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Marshall: The Book of Loud
Marshall amplifiers go together with rock music like a Rolls-Royce with a swimming pool. Since 1962, their iconic amps have been used by just about every major artist and band in music history - from Led Zeppelin and AC/DC to Iron Maiden, Nirvana and countless others. Now, inspired by all of the bands, songs and albums they've heard and loved down the years, Marshall have created The Book of Loud - collecting together thousands of facts, figures and pieces of musical trivia on subjects across the rock spectrum, from global icons such as The Ramones, Jimi Hendrix and The Who to the cutting-edge acts that are lighting up the scene today. It is the ultimate accessory for the music-minded from one of the biggest names in rock.. Contents include: - The loudest bands of all time - Blacklisted: the records banned from the radio - The greatest beards in rock - Notable rock star tattoos - The anatomy of a Marshall amp - The most notorious riders in gig history - ... and much, much more!
The Lost Tetrads of Marshall McLuhan
Marshall McLuhan was the visionary theorist best known for coining the phrase “the medium is the message.” His work prefigures and underlies the themes of writers and artists as disparate and essential as Andy Warhol, Nam June Paik, Neil Postman, Seth Godin, Barbara Kruger, and Douglas Rushkoff, among countless others. Shortly before his death, together with his media scholar son Eric, McLuhan worked on a new literary/visual code–almost a cross between hieroglyphics and poetry–that he called “the tetrads.” This was the ultimate theoretical framework for analyzing any new medium, a koan-like poetics that transcends traditional means of discourse. Some of the tetrads were published, but only a few. Now Eric McLuhan has recovered all the “lost” tetrads that he and his father developed, and accompanies them here with accessible explanations of how they function.
Kerry James Marshall: History of Painting
Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.
The Age of Walls
Tim Marshall, the New York Times bestselling author of Prisoners of Geography, offers “a readable primer to many of the biggest problems facing the world” (Daily Express, UK) by examining the borders, walls, and boundaries that divide countries and their populations. The globe has always been a world of walls, from the Great Wall of China to Hadrian’s Wall to the Berlin Wall. But a new age of isolationism and economic nationalism is upon us, visible in Trump’s obsession with building a wall on the Mexico border, in Britain’s Brexit vote, and in many other places as well. China has the great Firewall, holding back Western culture. Europe’s countries are walling themselves against ...
The Last Warrior
Andrew Marshall is a Pentagon legend. For more than four decades he has served as Director of the Office of Net Assessment, the Pentagon's internal think tank, under twelve defense secretaries and eight administrations. Yet Marshall has been on the cutting edge of strategic thinking even longer than that. At the RAND Corporation during its golden age in the 1950s and early 1960s, Marshall helped formulate bedrock concepts of US nuclear strategy that endure to this day; later, at the Pentagon, he pioneered the development of "net assessment" -- a new analytic framework for understanding the long-term military competition between the United States and the Soviet Union. Following the Cold War, ...
Marshall Hall
Meticulously researched, Marshall Hall: A Law unto Himself is the first modern biography of a complex and influential man. In an age of inadequate defence funding, minimal forensic evidence, a rigid moral code and a reactionary judiciary, his only real weapons were his understanding of human psychology and the power of his personality.
Neurology in Clinical Practice
New edition, completely rewritten, with new chapters on endovascular surgery and mitochrondrial and ion channel disorders.
The History of Marshall
(Book). From its humble origins in the back of a small music store in London, Marshall Amplification has defined the sound of rock for generations of guitarists around the world. The History of Marshall: The First Fifty Years tells the story of Jim Marshall's remarkable life and documents the many innovations of Marshall amplifiers, from the famous "stack" to the most current offerings. The book features: * Hundreds of color photographs throughout, including rare amplifiers and previously unpublished historical documents * Reprints of vintage catalogs and marketing materials from Marshall and its related brands, including Park and CMI * Extensive appraisal and history of the Celestion speake...
Bob Dylan
Bob Dylan’s contribution to popular music is immeasurable. Venerated as rock’s one true genius, Dylan is considered responsible for introducing a new range of topics and new lyrical complexity into popular music. Without Bob Dylan, rock critic Dave Marsh once claimed, there would be no popular music as we understand it today. As such an exalted figure, Dylan has been the subject of countless books and intricate scholarship considering various dimensions of both the man and his music. This book places new emphasis on Dylan as a rock star. Whatever else Dylan is, he is a star – iconic, charismatic, legendary, enigmatic. No one else in popular music has maintained such star status for so ...
