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A man flies onto a painting and has a romantic affair with a beauty in it. A Taoist monk punishes a stingy and mean pear seller by planting a pear tree that bears fruits in minutes before giving them away for free, all at the expense of the seller. A young scholar is delighted to find a lover of striking beauty, but only to find out later that it is actually an ugly ghost with a painted human skin … This ebook is a translation of forty fascinating stories of supernatural beings like ghosts and fox spirits from The Remarkable Stories Told at a Chinese Salon, one of the masterpieces in Chinese culture.
Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its erasure of gender and sexuality. In particular the strong heroines of the yangbanxi, or model works which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cultural studies to sociology, this book challenges that established view through detailed semiotic analysis of theatrical systems of the yangbanxi including costume, props, kinesics, and various audio and linguistic systems. Acknowledging the complex interplay of traditional, modern, Chinese and foreign gender ideologies as manifest in the 'model works', it fundamentally changes our insights into gender in Maoist culture.
These two volumes of proceedings contain 11 invited keynote papers and 172 contributed papers presented at the International Conference on Advances in Steel Structures held on 11-14 December 1996 in Hong Kong. The papers cover a wide spectrum of topics and have been contributed from over 20 countries around the world. The conference, the first ever of its kind in Hong Kong, provided a forum for discussion and dissemination by researchers and designers of recent advances in the analysis, behaviour, design and construction of steel structures.The papers in the proceedings report the current state-of-the-art and point to the future directions of structural steel research. Volume I contains 93 papers on the analysis, behaviour, design and construction of framed structures and bridges, with 90 papers in Volume II dealing with plates, shells, analysis, optimization and computer applications, dynamics and seismic design, fatigue, and soil-structure interaction.
In this book, Thomas Buoye examines the impact of large-scale economic change on social conflict in eighteenth-century China. He draws upon a large body of actual, documented homicide cases originating in property disputes to recreate the social tensions of rural China during the Qianlong reign (1736-1795). The development of property rights, a process that had begun in the Ming dynasty, was accompanied by other changes that fostered disruption and conflict, including an explosion in the population growth and the increasing strain on land and resources, and increasing commercialization in agriculture. Buoye challenges the 'markets' and 'moral economy' theories of economic behaviour. Applying the theories of Douglass North for the first time to this subject, he uses an institutional framework to explain seemingly irrational economic choices. Buoye examines demographic and technological factors, ideology, and political and economic institutions in rural China to understand the link between economic and social change.
This volume of the Biographical Dictionary of Chinese Women completes the four-volume project and contains more than 400 biographies of women active in the Tang through Ming dynasties (618-1644). Many of the entries are the result of original research and provide the only substantial information on women available in English. Of note is the inclusion of a large number of women who reached positions of authority during this period as well as women artists and writers, especially poets, during this period of increased female literacy and more liberal social attitudes to women's cultural roles. Wherever possible, entries incorporate translations of poems and sometimes prose works so as to let the women speak for themselves. The book also includes a multitude of entertainers and actresses. The volume includes a Guide to Chinese Words Used, a Chronology of Dynasties and Major Rulers, a Finding List by Background or Fields of Endeavor, and a Glossary of Chinese Names. It will prove to be a useful tool for research and teaching.
Synopsis You can visit Webnovel.com to read Tales of Demons and Gods Manga and Novel Online Killed by a Sage Emperor and reborn as his 13 year old self, Nie Li was given a second chance at life. A second chance to change everything and save his loved ones and his beloved city. He shall once again battle with the Sage Emperor to avenge his death and those of his beloved . With the vast knowledge of hundred years of life he accumulated in his previous life, wielding the strongest demon spirits, he shall reach the pinnacle of Martial Arts. Enmities of the past will be settled in this new lifetime. “Since I’m back, then in this lifetime, I shall become the King of the Gods that dominate everything. Let everything else tremble beneath my feet!”
This work subjects James Legge's Confucian translations to a postcolonial perspective, with a view of uncovering the subtle workings of colonialist ideology in the seemingly innocent act of translation. The author uses the example of Legge's two versions of the 'Zhonguong' to illustrate two distinctive stages of his sinological scholarship.
Shifting Stories explores the tale literature of eighth- and ninth-century China to show how the written tales we have today grew out of a fluid culture of hearsay that circulated within elite society. Sarah M. Allen focuses on two main types of tales, those based in gossip about recognizable public figures and those developed out of lore concerning the occult. She demonstrates how writers borrowed and adapted stories and plots already in circulation and how they transformed them—in some instances into unique and artfully wrought tales. For most readers of that era, tales remained open texts, subject to revision by many hands over the course of transmission, unconstrained by considerations of textual integrity or authorship. Only in the mid- to late-ninth century did some readers and editors come to see the particular wording and authorship of a tale as important, a shift that ultimately led to the formation of the Tang tale canon as it is envisioned today.
"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.