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The Invention of Li Yu
Li Yu, 1610-1680, was a brilliant comic writer and entertainer, a thoroughgoing professional whose life was in his work-plays, stories, a novel, criticism, essays, and poems. Patrick Hanan places him in the society of his day, where even his precarious livelihood, his constant search for patronage, did not dampen his versatility, his irreverent wit, or his jocund spirit. Li was also an epicure, an inventor, a pundit, and a designer of houses and gardens. He was an exceptional figure in Chinese culture for two reasons: his disregard of the authority of tradition, and his dedication to the cause of comedy. Hanan uses the term "invention" in his title in several ways: Li Yu's invention of himself, his public image-his originality and inventiveness in a multitude of fields and the literary products of his inventiveness. With expert and entertaining translations Hanan explores the key features of Li Yu's work, summarizing, describing, and quoting extensively to convey Li's virtuosity, his unconventionality, his irreverence, his ribaldry. This is a splendid introduction to the art and persona of a Chinese master of style and ingenuity.
A Couple of Soles
A Couple of Soles is a classic comedic romance by the seventeenth-century playwright Li Yu. Tan Chuyu, a poor young scholar, falls in love with the beautiful actress Liu Miaogu. He joins her family’s acting troupe, and, in plays within the play, romance ensues. After Liu’s family attempts to marry her off to a local country squire, she performs a famous scene in which a heroine drowns herself—and then jumps off the stage into a river, followed by Tan. The local river deity rescues the lovers from death by transforming them into a pair of soles. Li balances their romance with the adventures of a retired upright official involving banditry, bribery, and mistaken identity—and who nets a...
Chinese Women Through Chinese Eyes
The special focus of this book is the lives and experiences of women in China in the first half of the 20th century. Part One - Historical Interpretations - presents essays by Western-educated Chinese women and men, on the historical role of women in a time of great social and economic upheaval. Part Two - Self-Portraits of Women in Modern China - presents the views of women who experienced life in this period through essays and autobiographies that range from women as concubines to women as factory workers, from women suffering footbinding to women serving as nurses, from women in traditional role in a traditional family to women as scientists and teachers.
Silent Operas
Li Yu was a writer of seventeenth century China. He excelled as a playwright, essayist, critic, and fiction writer. In his stories Li Yu sets out to overturn conventional moral and literary themes. He can be described as the comic specialist of Chinese literature, and his exuberant comedy is mostly concerned with the breaking of social taboos, especially those relating to sex.
Chinese City and Regional Planning Systems
While the Chinese planning system is vitally important to the rapid development which has been taking place over the past three decades, this is the first text to provide a comprehensive examination and critical evaluation of this system. It sets the current system in historical context and explains the hierarchy of government departments responsible for planning and construction, the different types of plans produced and recent urban planning innovations which have been put into practice. Illustrated with boxed empirical case studies, it shows the problems faced by the planning system in facing the uncertainty in the market economy. In all, it provides readers with a full understanding of a complex and powerful system which is very distinct from other planning systems around the world. As such, it is essential reading for all students interested in the current development taking place in China and, in addition, to planning students with a general interest in planning systems and theory.
Rewriting the Orient
In this ambitious volume, Yunfei Bai delves into the creative adaptations of classical Sanskrit, Chinese, and Tibetan literary texts by four renowned nineteenth- and early twentieth-century authors in France and Argentina: Theophile Gautier, Stephane Mallarme, Victor Segalen, and Jorge Luis Borges. Without any knowledge of the source languages, the authors crafted their own French and Spanish retellings based on received translations of these Asian works. Rewriting the Orient not only explores the so far untapped translation-rewriting continuum to trace the pivotal role of Orientalism in the formation of a singular corpus of world literature that goes beyond the Anglophone canon, but also sheds light on a wide range of innovative discursive strategies that readily challenge traditional notions of cultural appropriation.
