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The Secrets of Women in Middle Dutch
A poet, head over heels in love with a charming lady, writes a book at her request on intimate matters concerning women. It is a delicate undertaking, not only because it is a relatively unknown subject for him, but also because he does not want her to be angry with him when she reads about these highly personal matters. This is howDer vrouwen heimelijcheit [The Secrets of Women] begins. An intriguing characteristic of this fifteenth-century text is the way in which the author has alternated scientific knowledge of the medieval artes corpus with a personal love complaint. He interrupts his gynaecological exposition in twenty-odd places to express his love in lyrical terms. To make the text available for an international readership, this publication provides a cultural historical introduction and presents the Middle Dutch Secrets of Women together with an English translation.
Thamyris
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The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture
The early modern period is a particularly relevant and fascinating chapter in the history of pain. This volume investigates early modern constructions of physical pain from a variety of disciplines, including religious, legal and medical history, literary criticism, philosophy, and art history. The contributors examine how early modern culture interpreted physical pain, as it presented itself for instance during illness, but also analyse the ways in which early moderns employed the idea of physical suffering as a powerful rhetorical tool in debates over other issues, such as the nature of ritual, notions of masculinity, selfhood and community, definitions of religious experience, and the nature of political power. Contributors include: Emese Bálint, Maria Berbara, Joseph Campana, Andreas Dehmer, Jan Frans van Dijkhuizen, Karl A.E. Enenkel, Lia van Gemert, Frans Willem Korsten, Mary Ann Lund, Jenny Mayhew, Stephen Pender, Michael Schoenfeldt, Kristine Steenbergh, Anne Tilkorn, Jetze Touber, Anita Traninger, and Patrick Vandermeersch.
Foreign Devils and Philosophers
What was the cultural impact of early meetings between Chinese and Europeans? This book explores visual, literary, and scholarly representations of the Celestial Empire and Western countries against the backdrop of actual encounters. Based on rare Chinese and, correspondingly, European (especially Dutch) sources and archival documents, the volume covers a range of cultural expressions from the applied arts to philosophy. Special attention goes to the ideals and realities of trade and diplomacy of the Dutch East India Company in China. Foreign Devils and Philosophers approaches global history from a cultural perspective and illuminates the reciprocal dynamic of aversion and admiration: Chinese and Westerners could appear as sages or savages in each other’s eyes.
Printing and Publishing Chinese Religion and Philosophy in the Dutch Republic, 1595–1700
This book discusses how Chinese religion and philosophy were represented in printed works produced in the Dutch Republic between 1595 and 1700. By focusing on books, newspapers, learned journals, and pamphlets, Trude Dijkstra sheds new light on the cultural encounter between China and western Europe in the early modern period. Form, content, and material-technical aspects of different media in Dutch and French are analysed, providing novel insights into the ways in which readers could take note of Chinese religion and philosophy. This study thereby demonstrates that there was no singular image of China and its religion and philosophy, but rather a varied array of notions on the subject.
The Moving Statues of Seventeenth-Century Amsterdam
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercanti...
