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From the mountains of Algeria to the squats of South London via sectarian Northern Ireland, Ten Thousand Apologies is the sordid and thrilling story of the country's most notorious cult band, Fat White Family. Loved and loathed in equal measure since their formation in 2011, the relentlessly provocative, stunningly dysfunctional "drug band with a rock problem" have dedicated themselves to constant chaos and total creative freedom at all costs. Like a tragicomic penny dreadful dreamed up by a mutant hybrid of Jean Genet, the Dadaists and Mark E. Smith, the Fat Whites' story is a frequently jaw-dropping epic of creative insurrection, narcotic excess, mental illness, wanderlust, self-sabotage, fractured masculinity, and the ruthless pursuit of absolute art. Co-written with lucidity and humour by singer Lias Saoudi and acclaimed author Adelle Stripe, Ten Thousand Apologies is that rare thing: a music book that barely features any music, a biography as literary as any novel, and a confessional that does not seek forgiveness. This is the definitive account of Fat White Family's disgraceful and radiant jihad - a depraved, romantic and furious gesture of refusal to a sanitised era.
The Windmill is a flat-roofed pub in Brixton that for the past two decades has been at the epicentre of the capital's underground music scene. Everyone from Mica Levi to Fat White Family to Black Midi has passed through its doors, which are presided over by a series of roof dogs including the legendary Ben the Rottweiler. With the help of impressionistic sketches by his son Otto, Will Hodgkinson goes on a spiritual journey to the heart of the Windmill, seeking to understand why this former Irish boozer has become such a magical space of freedom and discovery.
Writing is the hardest thing I've done. It's a grind. You see me up here and you think I've made it. But it's not all it's cracked up to be. The Beacon, Buttershaw 1990. Andrea Dunbar, acclaimed writer of Rita, Sue, and Bob Too, mum, sister, best friend, is struggling with her latest work. Her aching head is full of voices, stories from her past which have to be heard... A bittersweet tale of the north/south divide, it reveals how a shy teenage girl defied the circumstances into which she was born and went on to become one of her generation's greatest dramatists. Adelle Stripe's 'outstanding debut novel' of Andrea Dunbar's life is adapted for the stage by Lisa Holdsworth. This edition was published to coincide with the stage premiere at the Ambassador Theatre, Bradford in May 2019.
Listening in on public conversation that recreates Elvis after death, Marcus tracks Presley's resurrection. He grafts together snatches of film, music, books, newspapers, photos, posters, and cartoons, and amazes us with what America has been saying as it raises its late king--and also what this obsession with dead Elvis says about America itself.
Presents the complete lyrics of rock musician Ian Dury, along with handwritten notes, candid photographs, and an audio CD featuring previously unreleased material.
The only way to appreciate the legendary musician Mark E. Smith is to encounter the man in his own words. 'May be the funniest music book ever written' Observer The Fall are one of the most distinctive British bands, their music - odd,spare, cranky and repetitious - an acknowledged influence on The Smiths, The Happy Mondays, Nirvana and Franz Ferdinand. And Mark E. Smith IS The Fall. 47 members have come and gone over the years yet he remains its charismatic leader, a professional outsider and all-round enemy of compromise, a true enigma. There have been a number of biographies of the legendary Smith, but this is the first time he has opened up in a full autobiography. For the first time we get to hear his full, candid take on the ups and downs of a band as notorious for its in-house fighting as for its great music; and on a life that has endured prison in America, drugs, bankruptcy, divorce, and the often bleak results of a legendary thirst. 'A riot' Independent on Sunday 'Unbeatable' Time Out 'Vicious' Daily Telegraph 'Hilarious' Scotland on Sunday
A pamphlet of cricket poems to coincide with Zaffar's poetry residency at the Oval this September - in the PEN/Pinter prize series spec.
Psychomachia reads like an NA meeting with Donna Tartt, Joan Didion, DBC Pierre, James Frey, Angela Carter, Reinaldo Arenas, Virginia Despentes and JT Leroy battling their collective consciousness. Literature like this is usually presented through the male gaze, hence the fashion and rock n roll literati naming Kirsty Allison London's finest. She's hilarious - she's fucked up. Scarlet Flagg is so wasted, she doesn't know if she killed the arch patriarch of rock n roll, Malachi Wright of Wright States International Touring after he raped her at a festival at 14. Scarlet is the kinda girl you wanna help, fuck, and leave. But is she dangerous? Did she murder Malachi or was it her boyfriend, Igg...
If a world can be seen in a grain of sand, then surely phobia can be found in a handful of dust, or so contends obsessed British housewife Marcia, as she does endless battle with dandruff, the carapaces of roaches, grease, rust, grit, the whole panoply of household detritus. Terrorized by the imminent arrival of her coffee-morning ladies, she vacuums the carpet, only to be bested by the spirit Mucor, whose Latin name embodies all elements of slime and grime and who tries to entice her into the kingdom of filth over which he rules. To avoid him she enters the dazzling cleanliness of the Pieter de Hooch canvas hanging on her wall, invoking de Hooch and a raft of other geniuses- Darwin, Teilhard de Chardin, Leonardo, Blake, Dostoyevski, even Jesus to assist her. The coffee-morning ladies arrive; she half-listens to their prattle while impatiently waiting for them to leave so she can attack the dishes they have dirtied. Soon her husband, whom she suspects of having an affair with one of the ladies, will come home; how can she defeat Mucor before that moment? The solution is in perfect harmony with this astonishing work of imagination and erudition. Kirkus Reviews
John Healy's The Grass Arena describes with unflinching honesty his experiences of addiction, his escape through learning to play chess in prison, and his ongoing search for peace of mind. In his searing autobiography Healy describes his fifteen years living rough in London without state aid, when begging carried an automatic three-year prison sentence and vagrant alcoholics prowled the parks and streets in search of drink or prey. When not united in their common aim of acquiring alcohol, winos sometimes murdered one another over prostitutes or a bottle, or the begging of money. Few modern writers have managed to match Healy's power to refine from the brutal destructive condition of the chronic alcoholic a story so compelling it is beyond comparison. 'Sober and precise, grotesque, violent, sad, charming and hilarious all at once' Literary Review 'Beside it, a book like Orwell's Down and Out in Paris and London seems a rather inaccurate tourist guide' Colin MacCabe