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Architecture and Affect
Architecture and Affect is motivated by two questions: Why does dismissed affective evidence trouble us? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground—jammed amidst life, things and events. Rather than being aloof from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture’s uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicized architectural discourse simultaneously grounded and speculative; bridging depth and intuition, thinking and feeling.
Architecture Anecdote and Encounter at the Raffles Hotel the Third Archive
How does agency and affect transform architectural knowledge? What subjects evolve from such strategies of engagement? What forms of evidence become crucial to such knowledge construction? This book argues that the big questions of architecture and urbanism taking place in the fleeting, hyper-modernised, capitalist-socialist nation-state of the Southeast Asian island-city of Singapore may be recast through strategies of embodiment and feeling. It pursues an intimate, material and affective method in the construction of its architectural and urban subjects, works with forms of evidence and imaginations that evolve through occupancy, and is informed by interdisciplinary feminist theories and c...
Architectures of Care
Drawing from a diverse range of interdisciplinary voices, this book explores how spaces of care shape our affective, material, and social forms, from the most intimate scale of the body to our planetary commons. Typical definitions of care center around the maintenance of a livable life, encompassing everything from shelter and welfare to health and safety. Architecture plays a fundamental role in these definitions, inscribed in institutional archetypes such as the home, the hospital, the school, and the nursery. However, these spaces often structure modes of care that prescribe gender roles, bodily norms, and labor practices. How can architecture instead engage with an expanded definition o...
Asian Cinema and the Use of Space
Asian cinemas are connected to global networks and participate in producing international film history while at the same time influenced and engaged by spatial, cultural, social and political transformations. This interdisciplinary study forwards a productive pairing of Asian cinemas and space, where space is used as a discursive tool to understand cinemas of Asia. Concentrating on the performative potential of cinematic space in Asian films, the contributors discuss how space (re)constructs forms of identities and meanings across a range of cinematic practices. Cities, landscapes, buildings and interiors actively shape cinematic performances of such identities and their significances. The essays are structured around the spatial themes of ephemeral, imagined and contested spaces. They deal with struggles for identity, belonging, autonomy and mobility within different national and transnational contexts across East, Southeast and parts of South Asia in particular, which are complicated by micropolitics and subcultures, and by the interventions and interests of global lobbies.
Conserving Domesticity
Domesticity implicates notions of gender, sexuality, labour, class, ethnicity and taste. It draws upon the performative aspect of its occupants in space, and materialises ambitions for comfort, security, privacy and independence. The conserved domestic space is unlike the conserved monument. It must be flexible to change, intensified occupation, unusual habits, and robust enough to accommodate use and decay. It is a space marked by the passing of time associated with occupancy - cycles of moving in, starting a family, growing old and dying. It is also, no matter how temporary, a space one calls 'home, ' and thus includes physical, geographical and mental registers related to this idea. What does it mean to conserve a house? Can conservation's motives and domesticity's purpose converge in the house's interior? This volume explores such questions by reflecting on the afterlife of several conserved domestic spaces.
Feminist Practices
Women continue to be extremely under-represented in the architectural profession. Despite equal numbers of male and female students entering architectural studies, there is at least 17-25% attrition of female students and not all remaining become practicing architects. In both the academic and the professional fields of architecture, positions of power and authority are almost entirely male, and as such, the profession is defined by a heterosexual, Eurasian male perspective. This book argues that it is vital for all architectural students and practitioners to be exposed to a diversity of contemporary architectural practices, as this might provide a first step into broadening awareness and tr...
Home + Bound
HOME + BOUND brings together six Master of Architecture dissertations (2009-2011) from the National University of Singapore. The essays engage with the notion of domesticity set within the geographical bounds of Southeast Asia - more specifically, Singapore and Malaysia. Theoretical framework, including those of Michel Foucault, Sigmund Freud, Jacques Derrida and Anthony Vidler, are surveyed against local sites interwoven with varying scales, tropes, (mis)conceptions and antinomies of domesticity: a Chinese cemetery, Singapore's public Housing Development Board flats, the older Singapore Improvement Trust flats, its National Day Parade sites, a haunted house, a rural kampong (village), some ...
The Contested Territory of Architectural Theory
This book brings together a diverse group of theoreticians to explore architectural theory as a discipline, assessing its condition and relevance to contemporary practice. Offering critical assessment in the face of major social and environmental issues of today, 17 original contributions address the relevance of architectural theory in the contemporary world from various perspectives, including but not limited to: politics, gender, representation, race, environmental crisis, and history. The chapters are grouped into two distinct sections: the first section explores various historical perspectives on architectural theory, mapping theory’s historiographical turn and its emergence and decli...
Future Asian Space
Rapid technological, economic, social and cultural changes are transforming the idea of "Asian space." With the shift to a global economy and an urban population explosion, Asian cities have become a mainstay of progress, national pride, identity, and positioning on the global stage. The extraordinary pace and intensity of the changes have created a situation unique in the history of urban development. Despite the immense diversity of Asian countries, "Asia-ness" is often treated as a distinctive quality that has emerged from unique recent circumstances affecting Asian urbanizations as a whole. In Future Asian Space, 15 authors explore broad concepts relating to the creation and re-creation ...
The Domestic Interior and the Self in Contemporary Photography
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical. Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, this book reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography. The book will be of interest to scholars working in photographic history and theory, art history, and visual studies.
