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While recent studies in neuroscience and psychology have shed light on our sensory and perceptual experiences of art, they have yet to explain how contemporary art downplays perceptual responses and, instead, encourages conceptual thought. The Psychology of Contemporary Art brings together the most important developments in recent scientific research on visual perception and cognition and applies the results of empirical experiments to analyses of contemporary artworks not normally addressed by psychological studies. The author explains, in simple terms, how neuroaesthetics, embodiment, metaphor, conceptual blending, situated cognition and extended mind offer fresh perspectives on specific contemporary artworks - including those of Marina Abramović, Francis Alÿs, Martin Creed, Tracey Emin, Felix Gonzales-Torres, Marcus Harvey, Mona Hatoum, Thomas Hirschorn, Gabriel Orozco, Marc Quinn and Cindy Sherman. This book will appeal to psychologists, cognitive scientists, artists and art historians, as well as those interested in a deeper understanding of contemporary art.
It takes a different view of the history of Wales, examining a panorama of different emotions and experiences – laughter, happiness, fear, anger, adventure, lust, loneliness, anxiety – to give an entertaining and exciting new history to Wales. a wide range of sources are used to present the ambitions and anxieties which drove and destroyed Welsh people The book’s literary style and the fact that it follows earlier successful studies by the author should ensure an audience.
Scratch the surface of any family and you will find stories of intrigue, abuse and illegitimacy. It is just that, because of the nature of my grandfather's business, our secrets are more sinister' Lilian Pizzichini's grandfather was a conman who worked with some of London's most notorious gangsters. Within the pages of this haunting and revealing account of his life, she re-creates, in vivid detail and with remarkable detachment, the world of criminals and corrupt policemen that he dominated until his death in 1978. This is a book to set the mind reeling with thoughts of cunning and intrigue, corruption, hardship and secrecy. Above all, it conveys beautifully the glamour and seduction of a London shrouded in mystery and this charismatic criminal who rose from its war-torn ashes.
This collection situates Woolf in relation to the past, exploring her rich and varied heritage from a variety of fields while also assessing her own literary and biographical legacy.
Explores Laura Esquivel's critical reputation, contextualizes her work in literary movements, and considers hers four novels and the film based on "Like Water for Chocolate" from various perspectives. This book assesses the twenty years of Esquivel criticism.
Crossings in Text and Textile explores the diverse range of transatlantic representations of clothing in nineteenth- and early twentieth-century literature. This collection of essays demonstrates that fashion history and literary history, when examined together, prompt fresh understandings of the complexities of race, class, and sexual identity. By bridging material culture and discourse, Crossings establishes the significance of fashion-while neglecting none of its aesthetic appeal-to offer historicized readings on a variety of topics, from Jane Austen's nuanced display of social interactions through the economics of muslin to the 1871 Park and Boulton cross-dressing trial and Jessie Fauset...
Presents an alphabetical reference guide detailing the lives and works of authors associated with Gothic literature.
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Herstel is soms ingrijpender dan de verslaving zelf
Addiction is seemingly inexplicable. From the outside, it can look like wilful, arrogant self-destruction; from the inside, it can feel as inevitable and insistent as a heartbeat. It is possible to describe, but hard to explore. Yet in The Recovering, Leslie Jamison draws on her own life and the lives of addicts of extraordinary talent - John Cheever, John Berryman, Jean Rhys and Amy Winehouse among them - to take us inside the experience of addiction, exposing the contours, edges and wholes of an intoxicated life. Part memoir, part group biography, part literary history and part definitive analysis of cultural and social considerations of addiction, The Recovering is a significant moment in the history of post-war narrative non-fiction.