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In Other Words: Literature by Latinas of the United States
Roberta Fernàndez has gathered the best and most representative examples of fiction, poetry, drama and essay currently being written by Latina writers of the United States. The work is arranged by genre, and topics are as varied as the voices and styles of the writers: the challenge of living in two cultures; experiencing marginality as a result of class, ethnicity, and/or gender; Latina feminism; the celebration of oneÍs culture and its people. Most of the pieces are in English and some are presented bilingually in English and Spanish. A preface and an introduction by the editor and a foreword by the noted critic of Latin American literature, Jean Franco, serve to contextualize the writers and their work; a primary and secondary bibliography serves as an appendix.
Contemporary Plays by Women of Color
Contemporary Plays by Women of Color is a ground-breaking anthology of eighteen new and recent works by African American, Asian American, Latina American and Native American playwrights. This compelling collection includes works by award-winning and well-known playwrights such as Anna Deavere Smith, Cherrie Moraga, Pearl Cleage, Marga Gomez and Spiderwoman, as well as many exciting newcomers. Contemporary Plays by Women of Color is the first anthology to display such an abundance of talent from such a wide range of today's women playwrights. The plays tackle a variety of topics - from the playful to the painful - and represent numerous different approaches to playmaking. The volume also includes: * an invaluable appendix of published plays by women of color * biographical notes on each writer * the production history of each play Contemporary Plays by Women of Color is a unique resource for practitioners, students and lovers of theatre, and an inspiring addition to any bookshelf.
Gender on the Borderlands
"Both noted and new scholars reweave the fabric of collective, family, and individual history with a legacy of agency and activism in the borderlands in these twenty-one original selections. Contributors explore themes of homeland, sexuality, language, violence, colonialism, and political resistance within the most recent frameworks of Chicana/Chicano inquiry. Art as social critique, culture as a human right, labor activism, racial plurality, Indigenous knowledge, and strategies of decolonization all vitalize these selections edited by one of the country's most respected historians of the borderlands, Antonia Castaneda.
Brotherhood of Dolphins
Detective Pete Escobedo is on the hunt for the arsonist of the Los Angeles Public Library. The heated search takes him back to the barrio of his youth, where he soon discovers that the arsonist he has been tracking may also have been responsible for several grisly arson murders in Southern California. The criminalÕs trail moves dangerously close to his old friend Sylvia, an unorthodox firefighter, and finally to Carmen, the woman he loves. This riveting suspense thriller based on the unsolved April 29, 1986, arson of the historic Los Angeles Central Library takes the reader on a high-speed chase into the turbulent barrios of Los Angeles, the race-conscious offices in the Los Angeles Police Department and the mind of the firefighters who risk their lives daily.
Latina Performance
Latina Performance considers the emergence of a Latina aesthetics developed in the United States, but simultaneously linked with Latin America. As dramatists, performance artists, protagonists, and/or cultural critics, the women Arrizon examines in this book draw attention to their own divided position. They are neither Latin American nor Anglo, neither third- nor first-world; they are feminists, but not quite "American style." This in-between-ness is precisely what has created Latina performance and performance studies, and has made "Latina" an allegory for dual national and artistic identities. Book jacket.
Text & Presentation, 2007
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 31st annual conference held in Los Angeles, California. Topics covered include Chicano theatre, the Vietnam War and 9/11 in the French theatre, actresses and modern Hamlet, Asian theatre, Antigone in pre- and post-communist Germany, adapting an Internet comic strip for the stage, and the future of dramatic literature in the academy, among others.
Chicano Drama
An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
Fearless Femininity by Women in American Theatre, 1910s to 2010s
In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights a...
Labyrinth of Hybridities
Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama.
Shifting Loyalties
Shifting Loyaltiesæis a sweeping exploration of the lives of five young Chicano men before, during, and after the Vietnam War. The novel travels time and spacefrom Southern California in the 1950s to the jungles of Vietnam in the 60s to Spain in the 70s and Pennsylvania in the 80s. The result of this far-ranging journey is a portrait of an ethnic American community touched by the atrocities of war. David, Danny, Charley, Joey, and Manny struggle in individual ways with their ambivalent feelings about war. On the one hand, they have been raised to respect and leave unquestioned the notion of service and duty. On the other, they experience a growing sense of mistrust toward decisions made for them. ñDonÍt ask,î DavidÍs father tells him as a child. ñOne day youÍll see. ThatÍs all.î But as David and the others reach adulthood they find that this isnÍt enough to guide them through the horrible realities of war and the post-war readjustment to civilian life. Daniel CanoÍs second novel leaves an indelible impression of the complex experience of a war-torn generation.
