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Motheater
In this nuanced queer fantasy set amid the Appalachian Mountains in Virginia, the last witch of the Ridge must choose sides in a clash between industry and nature. After her best friend dies in a coal mine, Benethea “Bennie” Mattox sacrifices her job, her relationship, and her reputation to uncover what’s killing miners on Kire Mountain. When she finds a half-drowned white woman in a dirty mine slough, Bennie takes her in because it’s right—but also because she hopes this odd, magnetic stranger can lead her to the proof she needs. Instead, she brings more questions. The woman called Motheater can’t remember her true name, or how she ended up inside the mountain. She knows only that she’s a witch of Appalachia, bound to tor and holler, possum and snake, with power in her hands and Scripture on her tongue. But the mystery of her fate, her doomed quest to keep industry off Kire Mountain, and the promises she bent and broke have followed her a century and half into the future. And now, the choices Motheater and Bennie make together could change the face of the town itself.
Uncanny Magazine Issue 31
The November/December issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Elizabeth Bear, D.A. Xiaolin Spires, Vina Jie-Min Prasad, Laura Anne Gilman, and Jenn Reese. Essays by G. Willow Wilson, Alexandra Erin, Brandon O' Brien, Jeannette Ng, and Keidra Chaney, poetry by Sonya Taaffe, Hal Y. Zhang, Annie Neugebauer, and Sylvia Santiago, interviews with Elizabeth Bear and Jenn Reese by Sandra Odell, a cover by John Picacio, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Michi Trota.
Dominion
Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman's pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company's latest project—the monetization of human memory. Osupa, a newborn village in pre-colonial Yorubaland populated by refugees of war, is recovering afte...
Multimodal and Digital Creative Writing Pedagogies
Multimodal and Digital Creative Writing Pedagogies offers a breadth of expertise and informed pedagogies on teaching multimodal and digital creative writing in the college classroom. This book presents engaging methods to inspire student writing beyond traditional, print-based texts. The contributors in this volume, all experienced creative writing instructors, share indispensable strategies for incorporating multimodal projects, including video game poetry, fan fiction authorship, digital storytelling, podcasting, online literary publications, creative installations, writing with image and sound, and multisensory approaches to creative writing. This collection also tackles matters of accessibility and inclusion vis-à-vis technology in the classroom and examines the challenges and rewards of novel approaches to creative writing. Ideal for instructors new to teaching multimodal creative writing--and for those who have experience and are looking to enhance their teaching.
The Fourth Island
Dark, mournful, and beautiful, Sarah Tolmie's The Fourth Island is a moving and unforgettable story of life and death on the hidden Irish island of Inis Caillte. Huddled in the sea off the coast of Ireland is a fourth Aran Island, a secret island peopled by the lost, findable only in moments of despair. Whether drowned at sea, trampled by Cromwell's soldiers, or exiled for clinging to the dead, no outsiders reach the island without giving in to dark emotion. Time and again, The Fourth Island weaves a hypnotic pattern with its prose, presaging doom before walking back through the sweet and sour moments of lives not yet lost. It beautifully melds the certainty of loss with the joys of living, drawing readers under like the tide. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Unspoken Name
A. K. Larkwood's The Unspoken Name is a stunning debut fantasy about a young priestess sentenced to die, who at the last minute escapes her fate; only to become an assassin for the wizard who saved her. What if you knew how and when you will die? Csorwe does—she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice. But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard's loyal sword. Topple an empire, and help him reclaim his seat of power. But Csorwe will soon learn—gods remember, and if you live long enough, all debts come due. “In the vein of Le Guin's magnificent Tombs of Atuan—if Arha the Eaten One got to grow up to be a swordswoman mercenary in thrall to her dubious wizard mentor. I love this book so much."—Arkady Martine, author of A Memory Called Empire "I cannot recommend it enough." -- Tamsyn Muir, author of Gideon the Ninth At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Toxic Nostalgia on Screen
Toxic nostalgia is not a new phenomenon, and instances of an undying past refusing to perish and plaguing the present, can be found throughout history. However, examined in Toxic Nostalgia on Screen, in the early years of the new millennium, it has acquired further meaning and not just applies to a dangerous longing for the past, but a way of being in the present world. Here in our modern time, undead memory is not just a remembrance of the past that is visited upon the present with negative implications, but the embodiment of monstrous imagined histories and ideologies that dictate the way we live today so that tomorrow is not the future, but a never-ending return to the past.
Iron Widow
Instant New York Times No.1 Bestseller. A YA Pacific Rim meets the Handmaid’s Tale retelling of the rise of Wu Zetian, the only female emperor in Chinese history. I have no faith in love. Love cannot save me. I choose vengeance. The boys of Huaxia dream of pairing up with girls to pilot Chrysalises – giant transforming robots that battle aliens beyond the Great Wall. It doesn’t matter that their female co-pilots are expected to serve as concubines and often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, her plan is to assassinate the ace male pilot responsible for her sister’s death. But after miraculously surviving her first battle, Zetian sets her sights on a mightier goal. The time has come to stop more girls from being sacrificed. ‘This is the historical-inspired, futuristic sci-fi mash-up of my wildest dreams.’ Chloe Gong ‘Raging against the patriarchy in spectacular style.’ Observer, best books of the year ‘Zetian is unstoppable, and I dare you not to cheer her on.’ Elizabeth Lim, author of Spin the Dawn
The Southern Book Club's Guide to Slaying Vampires
“This funny and fresh take on a classic tale manages to comment on gender roles, racial disparities, and white privilege all while creeping me all the way out. So good.”—Zakiya Dalila Harris, author of The Other Black Girl Steel Magnolias meets Dracula in this New York Times best-selling horror novel about a women's book club that must do battle with a mysterious newcomer to their small Southern town. Bonus features: • Reading group guide for book clubs • Hand-drawn map of Mt. Pleasant • Annotated true-crime reading list by Grady Hendrix • And more! Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile ...
Summer Sons
Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
