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Art and Architecture of the Middle Ages
"Dismantles the religious, political, and geographic walls that have separated medieval art and architecture and treats not only western Europe but also the Byzantine Empire and the Islamicate world from ca. 200 CE to ca. 1450 CE. Includes a wide variety of art forms, from large architectural complexes to small amulets printed on paper"--
The Medieval Salento
Located in the heel of the Italian boot, the Salento region was home to a diverse population between the ninth and fifteenth centuries. Inhabitants spoke Latin, Greek, and various vernaculars, and their houses of worship served sizable congregations of Jews as well as Roman-rite and Orthodox Christians. Yet the Salentines of this period laid claim to a definable local identity that transcended linguistic and religious boundaries. The evidence of their collective culture is embedded in the traces they left behind: wall paintings and inscriptions, graffiti, carved tombstone decorations, belt fittings from graves, and other artifacts reveal a wide range of religious, civic, and domestic pra...
Confronting the Borders of Medieval Art
These essays examine art on the borders of the medieval world, from China to Spain. They engage three related issues: margins, frontiers, and cross-cultural encounters. Historiographic problems and pedagogical questions weave through the essays and the editors introduction.
Heaven on Earth
Contains eight lectures given at a fall 1991 lecture series at the Smithsonian Institution, examining the individual and collective experiences of the Byzantine faithful in order to understand the interaction of religion and art in Byzantium and thus bring the civilization to life. Topics include central themes in Byzantine theology, architecture and the liturgy, Byzantine silver plate, and illustrated service books of Byzantium. Excerpts from original sources are quoted extensively. Includes bandw and color photos and a glossary. Paper edition (unseen), $27.50. Annotation copyrighted by Book News, Inc., Portland, OR
The Early Christian Book (CUA Studies in Early Christianity)
Written by experts in the field, the essays in this volume examine the early Christian book from a wide range of disciplines: religion, art history, history, Near Eastern studies, and classics.
The Diagram As Paradigm
The Diagram as Paradigm explores medieval diagrams in Byzantium, the Islamicate world, and the Latin West. Case studies consider the theoretical dimensions of diagramming in historical disciplines ranging from philosophy to cosmology. Four introductory essays provide overviews of diagrammatic traditions of the regions explored in this volume.
Medieval Latin
Organized with the assistance of an international advisory committee of medievalists from several disciplines, Medieval Latin: An Introduction and Bibliographical Guide is a new standard guide to the Latin language and literature of the period from c. A.D. 200 to 1500. It promises to be indispensable as a handbook in university courses in Medieval Latin and as a point of departure for the study of Latin texts and documents in any of the fields of medieval studies. Comprehensive in scope, the guide provides introductions to, and bibliographic orientations in, all the main areas of Medieval Latin language, literature, and scholarship. Part One consists of an introduction and sizable listing of...
Byzantine Media Subjects
Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.
The Saffron Gate
A young American woman's journey to track down her missing lover becomes an enthralling adventure of mystery, passion, danger and self-discovery set against the spellbinding backdrop of 1930s Marrakech. Sidonie O'Shea enjoys the quiet life she shares with fiancé Etienne Duverger in upstate New York. But when Etienne suddenly disappears without word, she finds a letter amongst his belongings that turns her world upside down. Refusing to believe that Etienne would abandon her, Sidonie travels to Morocco in search of him, determined to know the truth. But nothing can prepare her for what she is about to discover, both about the man she thought she loved and an unknown world of dangerous secrets in a country steeped in mystery...
Preaching as Spiritual Leadership
In this unique resource, Fr. Michael E. Connors, CSC, gathers and expertly guides the collective wisdom of experienced preachers and homilists to provide a unique resource that examines the preacher’s unique role as shepherd and a spiritual leader. The chapters will investigate these dual roles according to the roots of the Catholic spiritual tradition and provide practical advice for priests, deacons, seminarians in homiletics classes or preaching classes, retreat leaders, RCIA catechists—all who preach. Preaching as Spiritual Leadership provides solutions to the following questions: How is preaching embedded in the Church’s pastoral mission? What does it mean to be a shepherd and spi...
