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Discover how some of Canada's most unusual place names came to be. Seventy-six essays, including fifteen new to this edition, updated to include changes, corrections, and new names to the year 2000.
This book brings together some 500 accounts of strange events and eerie experiences in the province.
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Inside this colourful book there are 10 trophy animals to choose from. The projects vary in level of complexity and there is a comprehensive techniques section to help you learn all the necessary skills.
First published in 1952, The Bruce Beckons was immediately acclaimed as a delightful guide to a uniquely beautiful and fascinating part of Ontario. Separating Georgian Bay from Lake Huron, the Bruce Peninsula's remarkable natural history and richly varied wildlife today continue to draw thousands of visitors every year. W. Sherwood Fox, a distinguished scholar who was for twenty years president of the University of Western Ontario, knew and loved the Bruce’s history and its folklore throughout his life. During his retirement he served several years as honorary president of the Federation of Ontario Naturalists.
"Terrific storytelling with lots of wit, derring-do, and tugging on the heartstrings!" - Grace Burrowes, NYT and USA Today Bestselling Author "Locke seamlessly blends hints from classics like The Count of Monte Cristo, Pride and Prejudice, and Arthurian legend into an utterly enjoyable Regency romance." - Publishers Weekly BookLife Prize From RITA® Finalist and USA Today Bestselling Author Margaret Locke comes The Legendary Duke, the second in her Put Up Your Dukes Regency historical romance series. For a Knight to win the Princess, he first must slay his dragons… A tragic event in his youth led Gavin Knight’s mother to whisk him to Rome, where he lived a simple but secluded life—unti...
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Benvenuto Cellini’s Perseus and Medusa, one of Renaissance Italy’s most complex sculptures, is the subject of this study, which proposes that the statue’s androgynous appearance is paradoxical. Symbolizing the male ruler overcoming a female adversary, the Perseus legitimizes patriarchal power; but the physical similarity between Cellini’s characters suggests the hero rose through female agency. Dr. Corretti argues that although not a surrogate for powerful Medici women, Cellini’s Medusa may have reminded viewers that Cosimo I de’ Medici’s power stemmed in part from maternal influence. Drawing upon a vast body of art and literature, Dr. Corretti concludes that Cellini and his contemporaries knew the Gorgon as a version of the Earth Mother, whose image is found in art for Medici women.