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The Canary and the Hammer
"Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity's ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides insight into the troubled history of gold and the complex ways it intersects with the global economy. Gold is ubiquitous in modern life; the mineral is concealed at the heart of much of the technology we use and is, most fundamentally, a potent symbol of value, beauty, purity, greed and political power. The Canary and The Hammer strives to connect these disparate stories -- from the mania of the gold rush and the brutal ...
Hyenas of the Battlefield
The book is a study into the 'unholy alliance' between the military, the entertainment industry and technology, and their coalescence around modern-day warfare.
Chateau Despair
This publication is made up of a series of photographs taken inside the abandoned Conservative Party headquarters at 32 Smith Square in London. Award-winning artist Lisa Barnard was granted access to the abandoned site in 2009 and documented the building and found objects. This book features previously unseen photos of the interior documenting the dulled shades of corporate blue, stained carpets, peeling paintwork and discarded iconography of past alliances.
Gender on Ice
'In this book, Bloom takes what might seem a very localized subject and shows how it opens up to all the central questions today in cultural studies around gender, nationhood, the politics of imperialism, race, male homosocial behavior, and the sociality of science. Gender on Ice has an eloquence and elegance that positively refreshing and the prose is stylish, engaging, and direct.' -Dana Polan, University of Pittsburgh
Floored
The Breakfast Club meets One Day in Floored, a unique collaborative novel by seven bestselling and award-winning YA authors: Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood. When they got in the lift that morning, they were strangers. Sasha, who is at the UK's biggest TV centre desperately trying to deliver a parcel; Hugo, who knows he's by far the richest – and best-looking – guy in the lift; Velvet, who regrets wearing the world's least comfortable shoes to work experience; Dawson, who isn't the good-looking teen star he was and desperate not to be recognized; Kaitlyn, who's slowly losing her sight but won't admit it, and Joe, who shouldn't be there at all, but who wants to be there the most. And one more person, who will bring them together again on the same day every year . . .
Why Exhibit?
This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, "photography" is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.
Spaces of Aid
Aid workers commonly bemoan that the experience of working in the field sits uneasily with the goals they’ve signed up to: visiting project sites in air-conditioned Land Cruisers while the intended beneficiaries walk barefoot through the heat, or checking emails from within gated compounds while surrounding communities have no running water. Spaces of Aid provides the first book-length analysis of what has colloquially been referred to as Aid Land. It explores in depth two high-profile case studies, the Aceh tsunami and Hurricane Katrina, in order to uncover a fascinating history of the objects and spaces that have become an endemic yet unexamined part of the delivery of humanitarian assistance.
Seeking Safety
This manual presents the most widely adopted evidence-based treatment for co-occurring trauma and addiction. For clients facing one or both of these issues, the most urgent clinical need is to establish safety--to reduce addictive behavior, build healthy relationships, manage symptoms such as dissociation and self-harm, and restore ideals that have been lost. Seeking Safety focuses on coping skills in the present; it can be implemented with individuals or groups, by any provider as well as by peers. It offers 25 topics, such as Asking for Help, Taking Good Care of Yourself, Setting Boundaries in Relationships, Healing from Anger, Honesty, and Coping with Triggers. The model is highly flexible, practical, and engaging, and can be conducted with any other treatment, including the author's past-focused model, Creating Change. The book has a large-size format and features reproducible client handouts that can be photocopied or downloaded. See also Creating Change: A Past-Focused Treatment for Trauma and Addiction, and the self-help guide Finding Your Best Self, Revised Edition: Recovery from Addiction, Trauma, or Both, an ideal client recommendation.
Fried Chicken and Champagne
Lisa Dupar has a secret. Well actually, many secrets...which readers will love curling up with, giggling over and then taking to the kitchen when they read the award winning chef's new book, Fried Chicken & Champagne: A Romp Through the Kitchen at Pomegranate Bistro. Born in Mexico, Southern bred and now a firmly transplanted Pacific Northwesterner, she knows how to spin a tale that is more like an ongoing conversation with a close friend.
Goodbye, Perfect
Goodbye, Perfect is a beautiful and emotional contemporary YA novel, with a powerful friendship at its heart, by bestselling author Sara Barnard. Now with a bold updated cover look. When I was wild, you were steady . . . Now you are wild - what am I? Eden McKinley knows she can’t count on much in this world, but she can depend on Bonnie, her solid, steady, straight-A best friend. So it’s a bit of a surprise when Bonnie runs away with a guy Eden knows nothing about five days before the start of their GCSEs. And it's the last person she would have expected. Sworn to secrecy and bound by loyalty, only Eden knows Bonnie’s location, and that’s the way it has to stay. There’s no way she’s betraying her best friend. Not even when she’s faced with police questioning, suspicious parents and her own growing doubts. As the days pass and things begin to unravel, Eden is forced to question everything she thought she knew about the world, her best friend and herself.
