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Michigan Salvage
Michigan Salvage is the first scholarly collection on celebrated writer Bonnie Jo Campbell, the author of two novels and three short story collections, including National Book Award finalist American Salvage (2009). Her writing captures a diverse and bustling rural America, brimming with complex characters who struggle with addiction, poverty, and land degradation—issues that have become, undeniably, part of the southwestern Michigan landscape that she calls home. The essays in this volume demonstrate many rich ways to approach Campbell’s writing, from historical and cultural overviews to essays examining the class and gender implications of her stories and novels, to teaching essays highlighting how to use her work in the classroom and beyond. Along with each essay, Michigan Salvage also features lesson plans and writing prompts meant to spark discussion and encourage further investigation into these stories and novels. This essential and teachable collection makes plain Campbell’s contributions to contemporary American literature.
The Preface
Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.
The New Wallace Stevens Studies
This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
A Delicate Aggression
A vibrant history of the renowned and often controversial Iowa Writers’ Workshop and its celebrated alumni and faculty As the world’s preeminent creative writing program, the Iowa Writers’ Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the “workshop” method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program—such as Flannery O’Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson—David Dowling examines how the Iowa Writers’ Workshop has shaped professional authorship, publishing industries, and the course of American literature.
The Waters: A Novel
A TODAY Show #ReadWithJenna Book Club Selection • One of Oprah Daily's Most Anticipated Books of 2024 • One of the Chicago Review of Books's 12 Must-Read Books of January 2024 • Featured in Roxane Gay’s newsletter The Audacity • One of the Christian Science Monitor's Best Books of January "If you loved Where the Crawdads Sing, you're going to love, and I'm saying love, our first read of 2024." —Jenna Bush Hager, TODAY Show A master of rural noir returns with a fierce, mesmerizing novel about exceptional women and the soul of a small town. On an island in the Great Massasauga Swamp—an area known as “The Waters” to the residents of nearby Whiteheart, Michigan—herbalist and ...
The Violence Within/the Violence Without
Wallace Stevens (1879-1955), one of the leading poets of the twentieth century, continues to influence a wide range of poets writing today. However, an image persists of Stevens as an aesthete who was politically removed from his times and who also exhibited sexist and racist tendencies. Jacqueline Vaught Brogan offers careful readings from across the Stevens canon to demonstrate that, contrary to such enduring earlier assessments, Stevens's work over the years shows poetic and political changes that merge with his growing ethical concerns. Brogan traces Stevens's evolving poetic practices along three major lines that often intersected. She situates the beginnings of Stevens's development wi...
How Far is America From Here?
How Far is America From Here? approaches American nations and cultures from a comparative and interdisciplinary perspective. It is very much at the heart of this comparative agenda that “America” be considered as a hemispheric and global matter. It discusses American identities relationally, whether the relations under discussion operate within the borders of the United States, throughout the Americas, and/or worldwide. The various articles here gathered interrogate the very notion of “America”: which, whose America, when, why now, how? What is meant by “far”—distance, discursive formations, ideals and ideologies, foundational narratives, political conformities, aberrations, in...
A Door Ajar
Thomas Gardner argues in this original study that we are just beginning, as a culture, to understand the far-reaching implications of Emily Dickinson's work. Looking at the way quite different writers have enacted and fleshed-out crucial aspects of her poetry, Gardner gives us a Dickinson for our times. Beginning with the work of Lucie Brock-Broido, Alice Fulton, Kathleen Fraser, and Robert Hass, Gardner moves on to analytical chapters and fully developed conversations with four writers in whose work he finds the fullest extension of Dickinson's legacy. The interviews with these four--Marilynne Robinson, Charles Wright, Susan Howe, and Jorie Graham--provide a particularly intimate look at wr...
The Nothing that is
None
Poetry and Poetics after Wallace Stevens
As the figure of Wallace Stevens (1879-1955) becomes so entrenched in the Modernist canon that he serves as a major reference point for poets and critics alike, the time has come to investigate poetry and poetics after him. The ambiguity of the preposition is intentional: while after may refer neutrally to chronological sequence, it also implies ways of aesthetically modeling poetry on a predecessor. Likewise, the general heading of poetry and poetics allows the sixteen contributors to this volume to range far and wide in terms of poetics (from postwar formalists to poets associated with various strands of Postmodernism, Language poetry, even Confessional poetry), ethnic identities (with a d...
