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Bodies of War
World War I marked the first war in which the United States government and military took full responsibility for the identification, burial, and memorialization of those killed in battle, and as a result, the process of burying and remembering the dead became intensely political. The government and military attempted to create a patriotic consensus on the historical memory of World War I in which war dead were not only honored but used as a symbol to legitimize America's participation in a war not fully supported by all citizens. In this book, the author unpacks the politics and processes of the competing interest groups involved in the three core components of commemoration: repatriation, remembrance, and return. This book emphasizes the inherent tensions in the politics of memorialization and explores how those interests often conflicted with the needs of veterans and relatives.
Of Little Comfort
During and especially after World War I, the millions of black-clad widows on the streets of Europe's cities were a constant reminder that war caused carnage on a vast scale. But widows were far more than just a reminder of the war's fallen soldiers; they were literal and figurative actresses in how nations crafted their identities in the interwar era. In this extremely original study, Erika Kuhlman compares the ways in which German and American widows experienced their post-war status, and how that played into the cultures of mourning in their two nations: one defeated, the other victorious. Each nation used widows and war dead as symbols to either uphold their victory or disengage from their defeat, but Kuhlman, parsing both German and U.S. primary sources, compares widows' lived experiences to public memory. For some widows, government compensation in the form of military-style awards sufficed. For others, their own deprivations, combined with those suffered by widows living in other nations, became the touchstone of a transnational awareness of the absurdity of war and the need to prevent it.
World War I, Mass Death, and the Birth of the Modern US Soldier
World War I, Mass Death, and the Birth of the Modern US Soldier: A Rhetorical History examines the United States government’s postwar ideological and rhetorical project in establishing permanent national military cemeteries abroad. Constructed throughout Europe where citizen-soldiers had fought and perished, and sacralized as American sites, these burial grounds simultaneously linked the nation’s war dead back to American soil and the national purpose rooted there, expressed the nation’s emerging prominent role on the world’s stage, and advanced the burgeoning icon of the “sacrificial, universal” US soldier. It draws upon untapped archival and historical materials from the WWI and interwar periods, as well as original on-site research, to show how the cemeteries came to display and advance the vision of the modern US soldier as “a global force for good.” Ultimately, within the visual display of overseas cemeteries we can detect the birth of “the modern US soldier”—a potent icon in which divergent emotions, memories, beliefs, and arguments of Americans and non-Americans have been expressed for a century.
Pogiebait's War
Jack H. McCall Sr. was a born storyteller, an inveterate practical joker, and a proud Tennessean whose flaws included a considerable taste for candy, or "pogiebait" in Marine parlance. Like so many other able-bodied young people in on the eve of World War II, he decided to enlist in the wake of the Japanese attack on Pearl Harbor. Much more than a family memoir or nostalgic wartime reminiscence, this painstakingly researched biography presents a rich, engaging study of the U.S. Marine Corps, particularly McCall's understudied unit, the Ninth Defense Battalion--the "Fighting Ninth." The author provides a window into the day-to-day service of a Marine during World War II, with important covera...
Welcome Home, Boys!
"This book takes on the subject of military victory parades in New York City during the first half of the 20th century and looks on these performances as political street theater. The study shows how abstract concepts like the nation-state or Americanism were represented and embodied in these events. With its focus on the three main groups of actors involved in the parades (organizers, soldiers, spectators), the book demonstrates how these marches can only be understood as a collaboration of these actors-- each group interpreting the event in their very distinct ways. The book deepens our understanding of how political performances functioned in the U.S. and how they made an impact on society"--Page 4 of cover.
Sculpting Doughboys
Redressing the neglect of World War I memorials in art history scholarship, this volume shows why sculptures of 'doughboys' (US soldiers during World War I) were in such demand during the 1920s, and how their functions and meanings have evolved. Jennifer Wingate recovers and interprets the circumstances of the doughboy sculptures' creation, and offers a new perspective on the complex culture of interwar America and on present-day commemorative practices.
Love and Death in the Great War
Love and Death in the Great War merges the stories of several American families with analysis of wartime popular culture. It argues that family, in lived experience and as symbolic motivator, gave the war meaning, recovering the conflict's personal dimensions. But that narrative had undergone transformative challenges by war's end.
The Globe and Anchor Men
Throughout the World War I era, the United States Marine Corps’ efforts to promote their culture of manliness directed attention away from the dangers of war and military life and towards its potential benefits. As a military institution that valued physical, mental, and moral strength, the Marines created an alluring image for young men seeking a rite of passage into manhood. Within this context, the potential for danger and death only enhanced the appeal. Mark Ryland Folse’s The Globe and Anchor Men offers the first in-depth history of masculinity in the Marine Corps during the World War I era. White manhood and manliness constituted the lens through which the Marines of this period sa...
