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The Origins of the English Marriage Plot
Examines how and why marriage plots became the English novel's most popular form in the eighteenth century. This book will be of interest to students and researchers of eighteenth and early nineteenth-century English literature and culture as well as feminist literary history.
Libertine Enlightenment
Sex in the Eighteenth-century was not simply a pleasure; it had profound philosophical and political implications. This book explores those implications, and in particular the links between sexual freedom and liberty in a variety of European and British contexts. Discussing prostitutes and politicians, philosophers and charlatans, confidence tricksters and novelists, Libertine Enlightenment presents a fascinating overview of the sexual dimension of enlightened modernity.
The Vicar of Wakefield
This newly edited critical edition of an enduringly popular tale, one of the most widely reprinted and illustrated works of fiction in English, offers readers an authoritative text along with extensive and helpful annotation. Following the lives of the vicar and his family, and the various calamities which befall them, The Vicar of Wakefield was one of the most popular and beloved works of eighteenth-century fiction. A lively introduction details the reception of Goldsmith's tale, from comments by Frances Burney and Goethe, through Sir Walter Scott, Washington Irving and Henry James, to critics of the twentieth and twenty-first centuries. The volume also includes appendices comprising a wealth of contextual information, enhancing the work for contemporary readers. For scholars of Goldsmith and new readers alike, this edition will prove the authoritative version of a tale that moved generations of readers to laughter and to tears.
No One Listens to Your Dad's Show
'Christian has achieved something very beautiful and funny with this book, weaving ordinary life and every day sadness into something hopeful and profound. I loved it.' Russell Brand As a radio DJ in London, Christian O'Connell appeared to have it all. He held the number one spot nationally, with a faithful audience of millions who'd listened to him for years. Celebrities flocked to come on his show and no other radio DJ had won more awards. But not everything was as it seemed. Minutes before going live one morning, something happened that changed everything and led to a decision of seismic proportions. He quit his job, moved to the other side of the world, where no one knew him, and took on...
The Postsecular Restoration and the Making of Literary Conservatism
This book reveals a synergy between postsecularity – as a critique of emergent liberal secular ideals and practices – and the modern literary sphere, in which conservative writers feature prominently. Corrinne Harol argues boldly yet compellingly that influential literary forms and practices including fiction, mental freedom, worlding, reading, narration, and historical fiction are in fact derived from these writers' responses to secularization. Interrogating a series of concepts – faith, indulgence, figuring, reading, passivity, revolution, and nostalgia – central to secular culture, this study also engages with works by Aphra Behn, John Dryden, Margaret Cavendish and Walter Scott, as well as attending to the philosophies of Thomas Hobbes, David Hume, and Edmund Burke. Countering eighteenth-century studies' current overreliance on the secularization narrative (as content and method, fact and norm), this book models how a postsecular approach can help us to understand this period, and secularization itself, more fully.
Samuel Richardson, Comedic Narrative and the Culture of Domestic Violence
This book provides a comprehensive reading of Samuel Richardson's novels. Using a combination of literary theory and criminology, Christopher D. Johnson demonstrates that Richardson not only understood the horrific dynamics of domestic violence, but also recognized the degree to which his first novel, Pamela: or, Virtue Rewarded (1740) could inadvertently normalize abusive relationships. This recognition informed Richardson's subsequent novels and fueled his distrust of novelistic fiction, especially those comedic works that depend on sudden transformations. It also caused him to draw careful delineations between the practical instruction he hoped to provide and the ideals of his Christian faith, particularly as they pertain to earthly suffering and self-sacrifice. The Richardson who emerges from the study becomes both a staunch defender of what he saw as a benevolent patriarchy and a fierce advocate for women's subjectivity, happiness and safety.
The Oxford Encyclopedia of British Literature
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers. For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl
The Moment of Racial Sight
The Moment of Racial Sight overturns the most familiar form of racial analysis in contemporary culture: the idea that race is constructed, that it operates by attaching visible marks of difference to arbitrary meanings and associations. Searching for the history of the constructed racial sign, Irene Tucker argues that if people instantly perceive racial differences despite knowing better, then the underlying function of race is to produce this immediate knowledge. Racial perception, then, is not just a mark of acculturation, but a part of how people know one another. Tucker begins her investigation in the Enlightenment, at the moment when skin first came to be used as the primary mark of rac...
Tale of Two Cedars
In 2010, an international symposium on western redcedar (Thuja plicata) and yellow-cedar (Callitropsis nootkatensis [syn. Chamaecyparis nootkatensis]) was held at the Univ. of Victoria in British Columbia, Canada. The symposium brought together experts to present cultural, biological, management and economic information on the two species. Although some papers or posters focused on just one of the cedars, many of the presenters covered both species and discussed the similarities and differences between them. This proceedings includes abstracts or short papers from all of the formal presentations or posters presented at the symposium. Charts and tables. This is a print on demand edition of an important, hard-to-find publication.
A Tale of Two Cedars
From May 24-28, 2010, an international symposium on western redcedar (Thuja plicata) and yellowcedar (Callitropsis nootkatensis [syn. Chamaecyparis nootkatensis]) was held at the University of Victoria on Vancouver Island in British Columbia, Canada. The symposium was entitled "A Tale of Two Cedars" and brought together local, regional, national, and international experts to present cultural, biological, management and economic information on the two species. Although some papers or posters focused on just one of the cedars, many of the presenters covered both species and discussed the similarities and differences between them. This proceedings includes abstracts or short papers from all of the formal presentations or posters presented at the symposium.
