Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Dream Apartment
In Dream Apartment, Lisa Olstein builds a world of night-rabbits, bodiless shadows, and networks of wind where ode and elegy meet. Devoted equally to the long arc and the sharp fragment, Lisa Olstein’s fifth collection maps the lucid ache at the center of night where “darkness stands in/for light,” certain heartbreaks never end, and love dovetails with losing. Immersed in ode as much as elegy, Dream Apartment employs a dynamic range of forms. Prayer-like spells cascade down the page with precision and abandon. Arrow-shot elegies explore the shock of suicide and find echoes in other kinds of grief—individual and communal, animal and ecological, sudden and creeping. Agile narratives mi...
Radio Crackling, Radio Gone
Winner of the Hayden Carruth Award Radio Crackling, Radio Gone is a debut collection of poetry that explores multiple logics of perception, association, and interpretation. Navigating the edges where things begin to disappear, the poems inhabit border zones of transformation where memory slides into imagination, wakefulness meets sleep, and things possessed become lost. What seemed a mystery was in fact a choice. Insert bird for sorrow. What seemed a memory was in fact a dividing line. Insert bird for wind. Insert wind for departure when everyone is standing still. . . Radio Crackling, Radio Gone was selected from the 1,200 submissions to the Hayden Carruth Award. By the time the anonymous manuscript was chosen as winner, the cover sheet was filled with readers' commentary: "stunning" and "lovely" and a bold "YES!"
Pain Studies
“A fascinating, totally seductive read!” —Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation “A book built of brain and nerve and blood and heart. . . . Irreverent and astute. . . . Pain Studies will change how you think about living with a body.” —Elizabeth McCracken, author of Thunderstruck and Bowlaway “A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called ‘the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.” —Leni Zuma...
Little Stranger
Lisa Olstein's third collection reverberates with twinned realities: wonder and terror, beauty and difficulty, celebration and lament. Through encounters with science, war, art, animals, and motherhood, Little Stranger explores the exigencies of close attention, the tenuousness of attachment, and the ever more rapidly shifting nature of knowledge. Intimate lyrics, elegies, and narratives speak in voices familiar yet strange. Lisa Olstein's debut collection of poetry, Radio Crackling, Radio Gone (Copper Canyon Press, 2006), won the Hayden Carruth Award, and her second volume, Lost Alphabet (Copper Canyon Press, 2009), was named a "Best Poetry Book of the Year" by Library Journal. She lives in Amherst, Massachusetts.
Late Empire
“Olstein places the mystical next to the mundane. . . . She explodes theories of cause and effect and expands our notions of logic, symbolism, and the territory between dreams and waking experience.” —The Growler Poetry Review In her fourth book—a gorgeous call-to-arms in the face of our current social and political conditions—Lisa Olstein employs her signature wit, wordplay, candor, and absurdity in poems that are her most personal—and political—to date. Like a brilliant dinner conversation that ranges from animated discussions of politics, philosophy, and religion to intimate considerations of motherhood, friendship, and eros, Olstein’s voice is immediately approachable yet...
Lost Alphabet
“This poet brings a sparkling consciousness to the page and an exciting new voice to American poetry.”—Library Journal “Most appealing is Olstein's sensitive, quietly pained and earnest tone, w hich, more than the unusual subject, is the real star of this book.”—Publishers Weekly, starred review In Lisa Olstein’s daring new book, an unnamed lepidopterist—living in a hut on the edge of an unnamed village—is drawn ever deeper into the engrossing world of moths, light, and seeing. Structured as a naturalist’s notebook, the four-part sequence of prose poems create a layered pilgrimage into the consequences of intensive study, the trials of being an outsider, and the process o...
It's On the Way
Associate Pastor at Lakewood Church and sister to Joel Osteen, Lisa Osteen Comes, demonstrates how to keep an attitude of faith in discouraging times and to trust God in every season. At times, we all find ourselves in seasons of waiting—for our dreams to be fulfilled, our prayers to be answered, or our circumstances to change. But your dream has an appointed time and God always has victory in store for you. And the seasons of waiting don't need to be periods of discouragement or hopelessness. Instead, they can be rich periods of joy, growth and preparation for the plans and promotion that God has in store for you. In It's On the Way, Lisa Osteen Comes reminds readers that during these inevitable times in our lives, God is faithful and our current season is temporary. Lisa teaches readers how to press through challenges, quit taking shortcuts instead of trusting God to give you His best, allow God to fight your battles, and silence the enemy within, while giving encouragement and practical steps to take when you don’t know what to do next.
Town Crier
Kabbalistic poems that recognize wit as a ritual of mourning, winner of the 2020 Lexi Rudnitsky First Book Prize The poems in Town Crier wryly express the pervasive nature of loss, how it suffuses all aspects of a life: memories, hopes, love, sex, lunch. The death of the author’s dear friend, the late poet Max Ritvo, becomes the cornerstone of the book, a foundational pain along which the poems are aligned. The poems grieve. They try to cope. They come up short. They try again, insisting as they do that language holds consequential, redemptive powers. Sarah Matthes is equal parts jester and conjurer, sensing the precious alchemy of laughter and lament, crying out to those who have left her and those who remain.
Climate
We could try writing letters, one of us said to the other after our cross-country trip was over and we weren't done talking. Talking about hurricanes, fires, floods, droughts, freezes. About shootings, bombings, border crises, #MeToo. Jewishness, whiteness, feminism. Fear, ambition, desire. Work, marriage, friendship. Grief, anger, illness, and suicide. At once anecdotal, philosophical, political, and deeply personal, the letters quickly come to sustain a different kind of present moment: a way of finding self through other, a portal into urgent and shared contemplation, a means of saying what otherwise feels unsayable. Propelled by events both public and private, these epistolary essays comprise a catalog of living with and thinking through the climatic disturbances that determine our lives. Finding kinship in other epistolary exchanges, from Paul Celan and Nelly Sachs to Etel Adnan's Of Cities and Women to Martin Land and Jonathan Boyarin's Time and Human Language Now, they inhabit the experiment of talking and listening in the unspooling, untenable now, while exploring what it means to be an I and a you in the alternate present letters invent. Literary Nonfiction.
Annotated Glass
Poetry. LGBT Studies. "Inside every intimate relationship, Alyse Knorr argues, lies a land of the imagination known only to those in relation. Her beautiful and wise ANNOTATED GLASS follows its protagonist, Alice, into and out of lands invented in childhood and adolescence, between family members and lovers, uncovering in each situation and between each of its characters 'a network of nerves speaking each to each.' The beauty of Knorr's writing lives in these electric connections, the way Alice's desire for her lover Jenny runs a 'current on my tongue like the inside / of a star.' But the wisdom of ANNOTATED GLASS lies in its ability to describe the loss not only of family and lovers but als...
