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Exploring legal treatises, court decisions, political illustrations, photographs, and modernist literature, this volume reveals that the ambiguous status of corporate intention in the first half of the twentieth century provoked conflicting theories of meaning and interpretation still debated today.
Modernism's Other Work considers writings by Gertrude Stein, Wyndham Lewis, Elizabeth Bishop, Amiri Baraka, and others, to challenge deeply held critical beliefs about the meaning-in particular the political meaning-of modernism's commitment to the work of art as an object detached from the world.
Master satirist tackles the contract everyone agrees to but no one reads “Mischievous, pastiche-heavy artist Robert Sikoryak...upped the difficulty level for his long-term conceptual project: Instead of abridging a book, he lifted the complete text of Apple’s mind-numbing corporate boilerplate, which users must agree to before accessing iTunes, and mashed it up with art invoking more than a century of comics.”—New York Times For his newest project, R. Sikoryak tackles the monstrously and infamously dense legal document, iTunes Terms and Conditions, the contract everyone agrees to but no one reads. In a word for word 94-page adaptation, Sikoryak hilariously turns the agreement on its ...
Shooting the Family, a collection of essays on the contemporary media landscape, explores ever-changing representations of family life on a global scale. The contributors argue that new recording technologies allows families an unusual kind of freedom—until now unknown—to define and respond to their own lives and memories. Recently released videos made by young émigrés as they discover new homelands and resolve conflicts with their parents, for example, reverberate alongside the dark portrayals of family life in the formal filmmaking of Ang Lee. This book will be a boon to scholars of film theory and media studies, as well as to anyone interested in the construction of the family in a postmodern world.
This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
Winner, Matei Calinescu Prize, Modern Language Association Winner, 2021 Modernist Studies Award, Modernist Studies Association Long before the US Supreme Court announced that corporate persons freely "speak" with money in Citizens United v. Federal Election Commission (2010), they elaborated the legal fiction of American corporate personhood in Santa Clara v. Southern Pacific Railroad (1886). Yet endowing a non-human entity with certain rights exposed a fundamental philosophical question about the possibility of collective intention. That question extended beyond the law and became essential to modern American literature. This volume offers the first multidisciplinary intellectual history of...
Afterword: Speed Listening -- Notes -- Credits -- Acknowledgments -- Index
Art, History, and Postwar Fiction explores the ways in which twenty-century novelists responded to visual art and how writing about art was often a means of commenting on historical developments of the period.
Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
Intro -- Contents -- Introduction: Television's Second Life -- 1. The Gangster Mourning Play -- 2. The Informal Abject: Housework and Reproduction in Weeds and Orange Is the New Black -- 3. AMC's White-Collar Supremacy: Breaking Bad, Mad Men, and Halt and Catch Fire -- 4. Managed Hearts: The Americans and News Corporation -- 5. Waiting for the End: Twin Peaks, The Wire, Queen Sugar, and Atlanta -- Conclusion: Streaming and You -- Acknowledgments -- Notes -- Index.