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The Rape of Berlin
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Anxieties of Belonging in Settler Colonialism
"This book analyses the anxiety 'well-intentioned' settler Australian women experience when engaging with Indigenous politics. Drawing upon cultural theory and studies of affect and emotion, Slater argues that settler anxiety is an historical subjectivity which shapes perception and senses of belonging. Why does Indigenous political will continue to provoke and disturb? How does settler anxiety inform public opinion and 'solutions' to Indigenous inequality? In its rigorous interrogation of the dynamics of settler colonialism, emotions and ethical belonging, Anxieties of Belonging has far-reaching implications for understanding Indigenous-settler relations"--
Darkness Subverted
Der dem klassischen Schauerroman zugrunde liegende Diskurs von »Selbst« und »Anderem« wurde schnell auf die Gegebenheiten der kolonialen Situation angewandt und auf das Verhältnis zwischen Kolonialherr und kolonialem Subjekt projiziert. Zeitgenössische schwarzaustralische Künstler nehmen sich dieses kolonialen Schauerdiskurses an, reißen ihn durch ihre scharfe Perspektive in Stücke und transformieren ihn schließlich zu einem Diskurs des »Aboriginal Gothic«.Die vorliegende Studie erarbeitet die theoretischen Grundlagen des »Aboriginal Gothic« und benutzt den so konkretisierten Begriff, um Romane von Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson und Alexis Wright sowie Filme von Beck Cole und Tracey Moffatt zu analysieren. Im Zentrum der Untersuchung steht dabei die Frage, inwieweit der traditionell europäische Schauerdiskurs mit Elementen indigener australischer Kultur durch- bzw. zersetzt ist, um die aktuelle Situation australischer Aborigines darzustellen und eine wiedererlangte kulturelle Identität zu beschreiben.
Chancing Hope
Chancing Hope Kerwyn Bartel, a talented, young horse trainer, knows a thing or two about reading a horse's ability to confront fears and recognize a good partnership. If only Kerwyn could apply those same qualities to his relationship with the vibrant Mable Conner, who just happens to be his long-time childhood best friend. Haunted by the pain his father endures at the loss of his mother, Kerwyn feels determined to not make the same mistakes. He decided to set her free a long time ago, but can he? Should he? Mable Conner has big dreams, but growing up is hard, and life is demanding big changes. Desperately in love with her best friend, Kerwyn, how does she get him to sees her as the woman sh...
The Postcolonial Eye
Informed by theories of the visual, knowledge and desire, The Postcolonial Eye is about the 'eye' and the 'I' in contemporary Australian scenes of race. Specifically, it is about seeing, where vision is taken to be subjective and shaped by desire, and about knowing one another across the cultural divide between white and Indigenous Australia. Writing against current moves to erase this divide and to obscure difference, Alison Ravenscroft stresses that modern Indigenous cultures can be profoundly, even bewilderingly, strange and at times unknowable within the terms of 'white' cultural forms. She argues for a different ethics of looking, in particular, for aesthetic practices that allow Indige...
Carnivalizing Reconciliation
Transitional justice and national inquiries may be the most established means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that the pitfalls and promises of reconciliation are laid bare. This book analyzes, within the realms of literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is problematic, reproducing simplistic narratives and identities defined by victimization. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.
Female Genital Cosmetic Surgery
Examining the fascinating history of female genital cosmetic surgery, Camille Nurka traces the origins of contemporary ideas of genital normality. Over the past twenty years, Western women have become increasingly worried about the aesthetic appearance of their labia minora and are turning to cosmetic surgery to achieve the ideal vulva: a clean slit with no visible protrusion of the inner lips. Long labia minora are described by medical experts as ‘hypertrophied,’ a term that implies deformity and the atypical. But how far back does the diagnosis of labial hypertrophy go, and where did it originate? Female Genital Cosmetic Surgery tells the story of the female genitalia from the alien world of ancient Greek gynaecology to the colonial period of exploration and exploitation up to the present day. Bringing together historical, medical, and theoretical documentation and commentary, Nurka uncovers a long tradition of pathologizing female anatomy, a history sure to be of interest to any reader who wishes to know more about how medicine shapes our commonly held ideals.
The Solidarity Encounter
On the heels of recent revelations of past and ongoing injustices, reconciliation and solidarity by Indigenous and non-Indigenous people is even more urgent. But it is a complex endeavour. In The Solidarity Encounter, Carol Lynne D’Arcangelis links interviews with activists and her own self-reflections to current scholarship to take readers into the fraught terrain of solidarity organizing. Multi-issue coalitions such as Idle No More, #NoDAPL, MMIWG2SQ, Black Lives Matter, and Fridays for Future all depend on the collaboration of diverse communities and on avoiding harmful detours into historically derived helping behaviours. D’Arcangelis grapples with this key tension: colonizing behaviours that result when white women centre their own goals and frameworks as they participate in activism with Indigenous women and groups. The Solidarity Encounter concludes by offering strategies for respecting boundaries between self and other, providing a constructive framework for non-colonizing solidarity that can be applied in any context of unequal power.
Decolonizing the Landscape
How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding ...
Storying Plants in Australian Children’s and Young Adult Literature
Storying Plants in Australian Children’s and Young Adult Literature: Roots and Winged Seeds explores cultural and historical aspects of the representation of plants in Australian children’s and young adult literature, encompassing colonial, postcolonial, and Indigenous perspectives. While plants tend to be backgrounded as of less narrative interest than animals and humans, this book, in conversation with the field of critical plant studies, approaches them as living beings worthy of attention. Australia is home to over 20,000 species of native plants – from pungent Eucalypts to twisting mangroves, from tiny orchids to spiky, silvery spinifex. Indigenous Australians have lived with, rel...
