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49 original essays on the essential terms and concepts in children's literature
Lissa Paul writes with insight and authority about a matter all English teachers will find compelling: how the ways we analyze and teach literature shape our views and expectations of the world. This accessible book will sharpen literary sensibilities and enhance our teaching.
By focusing on the children’s book business of the long eighteenth-century, this book argues that the thinking, knowing children of the Enlightenment are models for the technologically-connected, socially-conscious children of the twenty-first. The increasingly obsolete images of Romantic innocent and ignorant children are bracketed between the two periods.
As Anna and Layla reckon with illness, risk, and loss in different ways, they learn the power of friendship and the importance of hope.
Because all wars in the twenty-first century are potentially global wars, the centenary of the first global war is the occasion for reflection. This volume offers an unprecedented account of the lives, stories, letters, games, schools, institutions (such as the Boy Scouts and YMCA), and toys of children in Europe, North America, and the Global South during the First World War and surrounding years. By engaging with developments in Children’s Literature, War Studies, and Education, and mining newly available archival resources (including letters written by children), the contributors to this volume demonstrate how perceptions of childhood changed in the period. Children who had been constru...
This book offers a historical analysis of key classical translated works for children, such as writings by Hans Christian Andersen and Grimms’ tales. Translations dominate the earliest history of texts written for children in English, and stories translated from other languages have continued to shape its course to the present day. Lathey traces the role of the translator and the impact of translations on the history of English-language children’s literature from the ninth century onwards. Discussions of popular texts in each era reveal fluctuations in the reception of translated children’s texts, as well as instances of cultural mediation by translators and editors. Abridgement, adapt...
For more than 450 years, children's literature has delighted, fascinated, and powerfully influenced readers and listeners of all ages. Now the groundbreaking Norton Anthology of Children's Literature invites readers to discover four centuries of literature for children. Beginning in 1659 and ending at the turn of the twenty-first century, the Norton Anthology includes the work of 170 authors and illustrators representing such familiar genres as fairy tales, picture books, nursery verse, and fantasy, as well as less familiar genres such as alphabets, chapbooks, and comics. More than 90 works are included in their entirety, from The New England Primer to Robert Louis Stevenson's A Child's Garden of Verses to the contemporary classic Roll of Thunder, Hear My Cry by Mildred Taylor. Richly illustrated, the volume includes 45 images in full color and 375 in black and white and makes widely available for the first time facsimile images of works available only in rare-book libraries. Norton Anthology introductions, headnotes, annotations, and selected bibliographies help readers understand and enjoy the works.
When Noel Bostock - aged ten, no family - is evacuated from London to escape the Blitz, he winds up in St Albans with Vera Sedge - thiry-six, drowning in debts. Always desperate for money, she's unscrupulous about how she gets it. The war's thrown up all manner of new opportunities but what Vee needs is a cool head and the ability to make a plan. On her own, she's a disaster. With Noel, she's a team. Together they cook up an idea. But there are plenty of other people making money out of the war and some of them are dangerous. Noel may have been moved to safety, but he isn't actually safe at all . . . Longlisted for the Baileys Women's Prize for Fiction, 2015
"Stuart Horten -- ten years old and small for his age -- moves to the dreary town of Beeton, far away from all his friends. And then he meets his new next-door neighbours, the unbearable Kingley triplets, and things get even worse. But in Beeton begins the strangest adventure of Stuart's life as he is swept up in quest to find his great-uncle's lost workshop -- a workshop stuffed with trickery and magic. There are clues to follow and puzzles to solve, but what starts as fun ends up as danger, and Stuart begins to realise that he can't finish the task by himself ..."--Dust jacket. Suggested level: primary, intermediate.
'Evans is very funny . . . the Tom Sharpe for the next generation' Sunday Express Some are born odd, some achieve oddness and some are just in the wrong place at the wrong time... Netta Lee had always felt like the odd one out growing up. But when, as an adult, she returns to the Midlands to help her family move house, it becomes apparent that perhaps she isn’t the unusual one after all. A brother with a penchant for rubbish collection, a mother who seems to think she’s running the Bolshoi Ballet rather than the local junior dance school and a hoard of questionably competent friends challenge Netta’s ordered world. Perhaps the life – and the people – she tried so hard to leave behind are not as distant as she thought.