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Literary Agents in the Transatlantic Book Trade
By way of a case study of one of the oldest French book agencies, Agence Hoffman, this book analyzes the role played by French literary agents in the importation of US fiction and literature into France in the years following World War II. It sheds light on the material conditions of the circulation of texts across the Atlantic between 1944 and 1955, exploring the fine mechanisms of agents’ negotiations which allowed texts, and ideas, to cross borders. While providing comparative insights into the history of publishing in France and in the United States in the immediate aftermath of the war, this book aims at foregrounding the role of the book agent, an all-too often neglected intermediary...
The Professional Literary Agent in Britain, 1880-1920
Breaking new ground in the study of British literary culture during an important, transitional period, this new work by Mary Ann Gillies focuses on the professional literary agent whose emergence in Britain around 1880 coincided with, and accelerated, the transformation of both publishing and authorship. Like other recent studies in book and print culture, The Professional Literary Agent in Britain, 1880-1920 starts from the central premise that the business of authorship is inextricably linked with the aesthetics of literary praxis. Rather than provide a broad overview of the period, however, Gillies focuses on a specific figure, the professional literary agent. She then traces the influence of two prominent agents - A. P. Watt (generally acknowledged as the first professional literary agent) and J. B. Pinker (the leading figure in the second wave of agents) - focusing on their respective relationships with two key clients. The case studies not only provide insight into the business dynamics of the literary world at this time, but also illustrate the shifting definition of literature itself during the period.
The Agent
A powerhouse literary agent and publisher shares stories of the lessons he’s learned and the intriguing personalities he’s encounter in his career. Arthur Klebanoff is one of the world’s most powerful literary agents—with the record to prove it. Among his authors are Michael Bloomberg, Danielle Steel, Bill Bradley, Barbara Taylor Bradford, Patrick Moynihan, Linda Goodman, Rupert Murdoch, and the Pope. Many have generated more than $1 billion in retail sales. Klebanoff is also CEO of Rosetta Books, the leading electronic publisher of quality backlist books. In this memoir of his professional life, Klebanoff recounts all the lessons he has learned and the fascinating people he has met on the way to his recent acquisition of the famous Scott Meredith Literary Agency. The Agent also includes his vision of the future of book publishing to which he will no doubt leave a legacy. “The title of Arthur Klebanoff’s book sounds like John LeCarre. And his personal tour of New York publishing has as many twists and tricks as any spy novel.”—Richard Reeves, author of President Nixon: Alone in the White House
How to Hook a Literary Agent
Have you written a great book, and now you're looking for a literary agent? Do you wish an insider would help you get your foot in the door? This helpful guide includes templates to help you write your own submission letter, author bio and synopsis. Discover what makes literary agents tick and exactly what they're looking for.
Literary Agents
Explains what services literary agents provide, tells how and when to select an agent, and discusses contracts, goals, and development as a writer.
How To Be A Literary Agent
This book takes you step-by-step through the fascinating business of literary representation, covering everything from setting up your business, finding and working with writers, locating the best publishers, working with editor, and making the sale, to negotiating contracts. It reveals the many intriguing inside secrets about getting published. You will learn: • How to identify marketable manuscripts • How to turn good manuscripts into potential bestsellers • How to create persuasive query letters and convincing book proposals • Where to find and how to approach the right publishers • How to develop lasting business relationships with editors • The secrets of avoiding rejection ...
Guide to Literary Agents 95
This directory lists agents across North America, organized by literary agents (fee-charging and non-fee charging) and script agents (TV, movies, and plays). The book answers the most-often asked questions about agents and provides informative articles written by professional authors.
Get a Literary Agent
The Ultimate Guide to Getting a Literary Agent! If you dream of scoring the best possible deal with a traditional publisher and seeing your book in print, you need literary representation. Filled with practical, straightforward advice and insider tips, Get a Literary Agent is a one-stop resource for writers of both fiction and nonfiction. You'll learn how to: • Research agents and target the best ones for your work • Navigate the submission process--from best practices to possible pitfalls • Craft a polished query letter and pitch your work effectively • Assemble a book proposal like a pro • Form a lasting partnership with your agent You'll also gain the advice of more than 100 literary agents who share their secrets for securing representation. If you've ever wondered what a literary agent can do for you--and why you need one--this invaluable guide provides the answers.
How to Get a Literary Agent
Written by a top literary agent who gives writers an insider's view of how to find and work with an agent throughout the process of getting published. Includes: -- How to know that you're ready for an agent -- 7 ways to find an agent -- Writing a cover letter that grabs attention -- What to do with an agent once you've got one -- What you can expect and what you'd better not hope for -- Making sure this is the right agent for you -- Congratulations, now you have an agent AND an editor -- How to avoid the 7 worst pitfalls for aspiring writers -- And much, much more. In today's highly competitive publishing industry, literary agents are more important than ever. Whether you write fiction or non-fiction, reference or children's books, here is everything you need to know about using an agent to launch and sustain your literary career.a
Guide to Literary Agents 96
This directory lists nearly 500 agents across the United States--and even a few in Canada. Writers will find listings organized by literary agents (fee-charging and non-fee-charging) and script agents (TV, movies, and plays). Through articles written by professionals, the book also answers the most frequently asked questions about agents--what they do, where they are, and how to sign and work with them.
