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Excerpt from Literary Recreations The President of the Board of Education said the other day that in these dark times we were entitled to draw consolation whence we might, and that there was a legitimate source of con solation in the spread of the reading habit. Mr. Fisher has seen evidences of it in every omnibus, tram-car, and railway-carriage. Even in the trenches, he added, much reading goes on. There are probably few men who, like General Smuts, have studied the Critique of Pure Reason during a raid; but Mr. Fisher has known instances of officers enjoying the solace of Keats and Milton under the hottest fire, and an anecdote is recorded below (p. 46) of a man in the Lancashire Fusiliers...
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This book studies attitudes toward secular literature during the later Middle Ages. Exploring two related medieval justifications of literary pleasure—one finding hygienic or therapeutic value in entertainment, and another stressing the psychological and ethical rewards of taking time out from work in order to refresh oneself—Glending Olson reveals that, contrary to much recent opinion, many medieval writers and thinkers accepted delight and enjoyment as valid goals of literature without always demanding moral profit as well. Drawing on a vast amount of primary material, including contemporary medical manuscripts and printed texts, Olson discusses theatrics, humanist literary criticism, prologues to romances and fabliaux, and Chaucer's Canterbury Tales. He offers an extended examination of the framing story of Boccaccio's Decameron. Although intended principally as a contribution to the history of medieval literary theory and criticism, Literature as Recreation in the Later Middle Ages makes use of medical, psychological, and sociological insights that lead to a fuller understanding of late medieval secular culture.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from More Literary Recreations A measure of acceptance with which the little volume of Literary Recreation; was fortunate enough to meet has emboldened me to put out this further collection of jottings in a library. The pieces here collected, none of which has been printed before, were written, like those in the former volume, in occasional leisure from official duties, and make no claim other than may be founded on the hope that what has interested one Saunterer in a library may meet with sympathetic readers outside. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.