You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Literary Nonfiction. Essays. In EXPERIMENTAL LITERATURE: A COLLECTION OF STATEMENTS thirty-four writers and critics reflect upon how literature puts itself to the test in an effort to make itself new. Those reflections assume very different shapes, and each approaches the question from a different angle. There are formalist readings here, and historicist readings; some contributors consider the politics of literature, others focus upon aesthetics; some statements deal with national traditions or periods, others are more synchronist. There are pieces on French theater, the Russian avant-garde, and performance in West Africa. There are meditations on poetry as a daily practice, on experiment a...
A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits. In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look ...
What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future? The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fictio...
The Experimental Novel (1880) is an essay by French author Émile Zola. Written at the height of his career as a leading proponent of Naturalism, The Experimental Novel serves to illuminate the author’s approach to the practice and purpose of writing while advocating for a revolution of style among artists of his era. Read as a reaction against Romanticism, The Experimental Novel proves a convincing counterpoint to the excesses and failures of nineteenth century art, illustrating the need for literature to draw inspiration from other sources of human understanding—such as science, history, and the social sciences—in order to effectively explore the themes of everyday life. “The retur...
The Experimental Novel (1880) is an essay by French author Émile Zola. Written at the height of his career as a leading proponent of Naturalism, The Experimental Novel serves to illuminate the author's approach to the practice and purpose of writing while advocating for a revolution of style among artists of his era. Read as a reaction against Romanticism, The Experimental Novel proves a convincing counterpoint to the excesses and failures of nineteenth century art, illustrating the need for literature to draw inspiration from other sources of human understanding--such as science, history, and the social sciences--in order to effectively explore the themes of everyday life. "The return to n...
Since the turn of the millennium, there has seen an increase in the inclusion of typography, graphics and illustration in fiction. This book engages with visual and multimodal devices in twenty-first century literature, exploring canonical authors like Mark Z. Danielewski and Jonathan Safran Foer alongside experimental fringe writers such as Steve Tomasula, to uncover an embodied textual aesthetics in the information age. Bringing together multimodality and cognition in an innovative study of how readers engage with challenging literature, this book makes a significant contribution to the debates surrounding multimodal design and multimodal reading. Drawing on cognitive linguistics, cognitive psychology, neuroscience, semiotics, visual perception, visual communication, and multimodal analysis, Gibbons provides a sophisticated set of critical tools for analysing the cognitive impact of multimodal literature.
This volume argues that postwar writers queer the affective relations of reading through experiments with literary form. Tyler Bradway conceptualizes “bad reading” as an affective politics that stimulates queer relations of erotic and political belonging in the event of reading. These incipiently social relations press back against legal, economic, and discursive forces that reduce queerness into a mode of individuality. Each chapter traces the affective politics of bad reading against moments when queer relationality is prohibited, obstructed, or destroyed—from the pre-Stonewall literary obscenity debates, through the AIDS crisis, to the emergence of neoliberal homonormativity and the...
Experimental Chinese Literature is the first theoretical account of material poetics from the dual perspectives of translation and technology. Focusing on a range of works by contemporary Chinese authors including Hsia Yü, Chen Li, and Xu Bing, Tong King Lee explores how experimental writers engage their readers in multimodal reading experiences by turning translation into a method and by exploiting various technologies. The key innovation of this book rests with its conceptualisation of translation and technology as spectrums that interact in different ways to create sensuous, embodied texts. Drawing on a broad range of fields such as literary criticism, multimodal studies, and translation, Tong King Lee advances the notion of the translational text, which features transculturality and intersemioticity in its production and reception.
This is a comprehensive collection of essays that explores cutting-edge work in experimental philosophy, a radical new movement that applies quantitative and empirical methods to traditional topics of philosophical inquiry. Situates the discipline within Western philosophy and then surveys the work of experimental philosophers by sub-discipline Contains insights for a diverse range of fields, including linguistics, cognitive science, anthropology, economics, and psychology, as well as almost every area of professional philosophy today Edited by two rising scholars who take a broad and inclusive approach to the field Offers a complete introduction for non-specialists and students to the central approaches, findings, challenges, and controversies in experimental philosophy