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In this thought-provoking analysis, Liuxi Meng profiles eighteenth-century poet Qu Bingyun and her development as an artist. By giving special attention to her dynamic interaction with contemporaries, Meng provides an extensive and detailed picture of the female writer's life and art in the golden age of Chinese women's literature.
A historian recounts the unlikely rise of a world capital, and how its understanding of Asia played a key role. If one had looked for a potential global city in Europe in the 1540s, the most likely candidate would have been Antwerp, which had emerged as the center of the German and Spanish silver exchange as well as the Portuguese spice and Spanish sugar trades. It almost certainly would not have been London, an unassuming hub of the wool and cloth trade with a population of around 75,000, still trying to recover from the onslaught of the Black Plague. But by 1700, London’s population had reached a staggering 575,000 and it had developed its first global corporations, as well as relationsh...
"Grace Fong has written a wonderful history of female writers’ participation in the elite conventions of Chinese poetics. Fong’s recovery of many of these poets, her able exegesis and elegant, analytical grasp of what the poets were doing is a great read, and her bilingual presentation of their poetry gives the book additional power. This is a persuasive and elegant study." —Tani Barlow, author of The Question of Women in Chinese Feminism "In this quietly authoritative book, Grace Fong has brought a group of women poets back to life. Previously ignored by scholars because of their marginal status or the inaccessibility of their works, these remarkable writers now speak to us about the ...
In our age of globalization and multiculturalism, it has never been more important for Americans to understand and appreciate foreign cultures and how people live, love, and learn in areas of the world unfamiliar to most U.S. students and the general public. The four volumes in our cultural sociology reference encyclopedia take a step forward in this endeavor by presenting concise information on those regions likely to be most "foreign" to U.S. students: the Middle East, Asia, and Africa. The intent is to convey what daily life is like for people in these selected regions. It is hoped entries within these volumes will aid readers in efforts to understand the importance of cultural sociology, to appreciate the effects of cultural forces around the world, and to learn the history of countries and cultures within these important regions.
Serrano calls for a reassessment of the practice of World Literature with six case studies taken from the Arabic, Chinese, French, German, Korean and Latin American traditions. Although in recent years the field has adopted more inclusive and wide-ranging criteria for college-level anthologies of World Literature, and has seen the collection and publication of critical readers, book-length introductions, and even a history, the theoretical predisposition of most of its practitioners paradoxically has led to a shrinking of its horizons and a narrowing of its vision. Reexamining World Literature asks scholars to look beyond the current dominant definition of World Literature (works in English with broad reach or works in other languages with significant circulation in English translation) in order to engage with a range of complex texts that elude the field’s assumptions. World Literature need not be a we-are-the-world of shared values, but instead should ask readers to question what those values are.
This anthology presents substantial selections from the work of twenty Manchu women poets of the eighteenth and nineteenth centuries. The poems, inspired by their daily life and reflections, provide fascinating insights into the experiences and emotions of these women, most of whom belonged to the elite families of Manchu society. Each selection is accompanied by biographical material that illuminates the life stories of the poets. The volume’s introduction describes the printing history of the collections from which these poems are drawn, the authors’ practice of poetry writing, ethnic and gender issues, and comparisons with the poetry of women in South China and of male authors of the Qing dynasty (1644–1911).
Welcome to "Encounters", a groundbreaking Chinese language programme that features a dramatic series filmed entirely in China. The programme's highly communicative approach immerses learners in the Chinese language and culture through video episodes that directly correspond to units in the textbook. By combining a compelling story line with a wealth of educational materials, "Encounters" weaves a tapestry of Chinese language and culture rich in teaching and learning opportunities. "Encounters" follows a carefully structured and cumulative approach. Students progress from listening and speaking to the more difficult skills of reading and writing Chinese characters, building grammar, vocabular...
As soon as she was released from prison, her boyfriend betrayed her and won her!As she was being ridiculed, a man came up behind her.He smiled playfully and said to the crowd, This woman is mine!You avenge me, she said. I'll be yours!That man smiled charmingly. "Be good, I will properly love you!"From then on, she was carried up to her heart by the man.