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Liz Nakazawa's Pulse and Weave brings us poems emanating from both quotidian reality and from a dreamscape full of "mirages without evaporation." A born naturalist, Nakazawa folds mallard, ironwood, yarrow, coulee, wetland and moonflower into her lines, creating an "origami dream" of flora and fauna. In one of this book's celebratory poems ("Sojourn to the Countryside"), we encounter those seeds "wanting to believe in a better world / seeds for short enduring joys, and long encouraged prayers." Such seeds carry the kind of intent evident throughout Nakazawa's work. -Paulann Petersen, Oregon Poet Laureate Emerita
B.J. Hollars and his young son strike out on a 2,500-mile road trip to retrace the Oregon Trail. Their mission: to rediscover America—and Americans—along the way.
Personal impurity caused by childbirth, menstrual blood or death is an issue of concern prevalent in many cultures. In Japan, the generic term for these kinds of impurities is kegare and death impurity, a sub-type of kegare, is known as shi-e. The major topic of this book is death impurity. The definition and genesis of shi-e are explained. In addition, details of the influence shi-e had on ancient Japanese society as well as its continuing influence on modern Japanese society are given. Three hypotheses are stated and supported: (1) the shi-e concept began in Japan during the Yayoi period (300 BC - 300 AD) rather than at a later date as previously hypothesized; (2) the basis for the aversion to dead bodies, i.e. shi-e, is that corpses remind people of the fact that they will soon die; (3) Buddhism and Shintoism merged in Japan because of the impact of shi-e on Shintoism. This book concludes with some comments on the relevance of knowledge of the death impurity for students of Japanese history, culture and society.
Informed by recent research into the viability of a 'steady state' economy, this book sets an agenda for addressing the designer's paradox of sustainable consumption.
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Provides a proactive approach to recycling and reusing materials.