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Morrow Little is haunted by the memory of the day her family was torn apart by raiding Shawnee warriors. Now that she is nearly a grown woman and her father is ailing, she must make difficult choices about the future. Several men--ranging from the undesired to the unthinkable--vie for her attentions, but she finds herself inexplicably drawn to a forbidden love that both terrifies and intrigues her. Can she betray the memory of her lost loved ones--and garner suspicion from her friends--by pursuing a life with him? Or should she seal her own misery by marrying a man she doesn't love? This sweeping tale of romance and forgiveness will envelop readers as it takes them from a Kentucky fort through the vast wilderness to the west in search of true love.
A diary; honest, edgy, raw and downright brutal. The Girl On The Moon is no exception. Our narrator's life isn't exactly the way she had hoped it would be at age thirty. She's found out her ex-boyfriend has gotten married, and she hasn't had a date in months. She's living in a cramped apartment. Her mother has become a spectacle, her social life has dwindled down, and she's having panic attacks, and developed an obnoxious case of paranoia. Even Porkchop, her cat, seems to be judging her. It seems she's starring in a theatrical show as the character full of folly. She decides to take control of her life, and her self-esteem. But real life has ups and downs. Real life doesn't allow one to make mistakes without repeating humiliating history. Real life deals out cards we aren't always prepared to play. As she moves through her journey she discovers feeling crazy seems to attract other crazy people like a magnet. Will she find herself? Will she find what she's looking for? Will she get it all and still have her sanity left when it's all said and done? Leave your manners at the door. Everyone else in the diary has.
Probably the finest genealogical record ever compiled on the people of ancient Mecklenburg County, North Carolina, this work consists of extensive source records and documented family sketches. Collectively, what is presented here is a veritable history of a people--a "tribe" of people--who settled in the valley between the Yadkin and Catawba rivers more than two hundred years ago. The object of the book is to show where these people originated and what became of them and their descendants. Included among the source records are the various lists of the Signers of the Mecklenburg Declaration; Abstracts of Some Ancient Items from Mecklenburg County Records; Marriage Records and Relationships of Mecklenburg People; List of Public Officials of Mecklenburg County, 1775-1785; First U.S. Census of 1790 by Districts; Tombstone Inscriptions; and Sketches of the Mecklenburg Signers. The work concludes with indexes of subjects and places, as well as a name index of 5,000 persons. (Part III of "Lost Tribes of North Carolina.")
A genealogical work covering the origins of one Texas family; Clois Miles Rainwater and Nancy Jane McIlhaney. Includes genealogical research, historical photos, personal anecdotes, and register reports.
Lucy Osburn (1836-1891) was the founder of modern nursing in Australia who also pioneered the employment of high status professional women in public institutions. Osburn learned her vocation at Florence Nightingale's school of nursing in London, but her relationship with Nightingale was not the smooth discourse of "Victorian ladies".
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and ...
The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth century to the present. The campus includes such diverse buildings as Peabody & Stearn's Queen Anne-style College Hall; the neo-Georgian Quadrangle by Ames, Dodge and Putnam; Skidmore, Owings & Merrill's International Style Cutter and Ziskind houses; as well as the postmodern Bass Science Center and Young Science Library by Shepley, Bullfinch, Richardson, and Abbott. The university's most recent additions include the Brown Fine Arts Center, designed by the Polshek Partnership; the Olin Fitness Center, by Leers Weinzapfel Associates; and the Campus Center by Weiss/Manfredi.
Announcements for the following year included in some vols.